WHAT ARE WE GOING TO DO WITH THE WILLMOORE KENDALLS?

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP75-00001R000300360020-4
Release Decision: 
RIPPUB
Original Classification: 
K
Document Page Count: 
2
Document Creation Date: 
November 11, 2016
Document Release Date: 
November 3, 1998
Sequence Number: 
20
Case Number: 
Publication Date: 
December 7, 1957
Content Type: 
MAGAZINE
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PDF icon CIA-RDP75-00001R000300360020-4.pdf2.25 MB
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~ tally, and the entire medium has A RTC,itaei,pr i dA I 0001 03103 g the bland., He is worried because RALPH DE TOLEDANO CPYRGHT the "ruthless law of the decimal point" puts bad entertainment ahead of good, because an audience of fifteen million people for an expensive performance by the Old Vic troupe is considered a failure by the men who control TV. And he adds: Elephantiasis Done Her In CPYRGHT erg ightmare Alley that all is not well with television. Where Batten talks o Barton and Young nods to Rubi- am, a bad case of the collective hakes is increasingly discernible. For at fine feeling, when sponsors break own the doors and come through e windows, is gone. So too, says the umor, are the sponsors. Television has developed elephan- iasis of the grab-hand and the bud- et; it is pricing itself out of the field. he trouble has nothing to do with rt or the "product." Those three orsemen of the studios-Loathsome, oisome and Fulsome-can still aintain their superlative standards n boring scripts, and turn up an oc- asional two-headed child who can ing in counterpoint. Americans still ove Bilko, Edward R. Murrow, and ohn's Other Abcess, and an aroused ublic has not marched on Madison venue. So there is a mite of irony in the act that television's troubles are conomic. An art so blissfully wedded o commerce and grandiosity has alien victim to its own standards. he equation is simple: costs in alent, labor, materials and overhead an be met only by an ever-expand- g mass audience. It's not merely case of sponsor greed. By slide rule and IBM, the networks have arrived t a neat, though unflattering figure. o keep the sponsor happy and in usiness the per-viewer cost of a rogram must be one-half to seven- enths of a penny. (In the days of oss Tweed, the going price of a vote as two dollars, but the universal ranchise of TV has cheapened the areet.) In short, two million half- enny viewers must snap on their sets or a $100,000 budget show. Half the dult population must stay home to ake a million dollar spectacular a ood sponsor's risk. These are neither new nor secret tatistics. More than a year ago, when earings were held on pay TV by e Senate Interstate Commerce Com- ittee, industry spokesmen said it need for secrecy because the sponsors knew it. Options were beginning to bounce, and the criterion was no longer, "How big?" but "How much?" Though the top programs had no diffi- culties, and the top sponsors (in- terested in "prestige") no worries, everything else was marginal. John P. Cunningham, an advertis- ing executive, lectures openly on the "Index of Boredom" in reviewing television's decline. Video viewers, he warns, just aren't paying any mind to what flickers on the screen, though they still turn on their sets automati- It might be worthwhile to take a look at what has happened to top rat- ings while all this has been going on. As you see, they are down. Top rat- ings today would all be medium ratings five years ago. The top five shows had a rating in 1952 of 57.9. They're down this year to 41.5. What does this mean? . Our agency's research shows clearly that the grum- bling is not confined to the profes- sional critics. The Index of Boredom has been rising steadily.... As far as we advertisers are concerned, it is a Time to Pause. Kreuttner "The name of the program is `Ga bage to Garbage.' The following unbiased, yet completely sympath tic interview will be with Dr. Summersault Tripskip, Rhodes Sc Jar, recipient of three Peabody Awards, and further distinguished having taken the Fifth Amend- ment 158 times in eleven minutes. ater in the program we will visit Hollywood's dazzling Claire de C ave, as a diversionary tactic." Sanitized - Approved For Release : CIA-RDP75-00001 R000300360020-4