KING OF HOAXERS DEALS HIS JOKERS LIKE A REAL ACE

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CIA-RDP75-00001R000400400014-5
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K
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2
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November 11, 2016
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February 22, 1999
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14
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Publication Date: 
January 14, 1962
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NSPR
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Sanitized - Approved For Release : CIA-RDP75-00001R000400400014-5 TIMES IFIERALL! JAN P 4 1962 3 Sanitized - Approved For Release : CIA-RDP75-00001R000400400014-5 King of Hoaxers CPYRGHT Deals Iiirr ost tpgrolf Like a Real Ace Last week, in an article by Lois Afitchi, son, we saw the cream of Oxford and Canthridge practicing the ancient if not 100 per cent honorable art of the prae Weal joke in Eng/and. This week the scene changes to the United States?and a Washtnotonian who is the envy and ideal of practical jokesmiths the world over. By Thomas Wolfe elteer n000rLer THERE ARE STILL SOME nation- 1- ally known journalists In Wash ington who will have their valets strike You fa journalist is a reporter who collects china and has a valet) if you mention the Ghost Artists Story. So ? let us dispense with the subject quickly and quietly and only by way of intro- ducing Hugh Troy of 2531 Q at. ow., America's all-time freestyle practical joke champion. The episode began with an advertise went in The Washington Post of Feb, 5, 1552: "Too busy to paint? Call on The Ghost Artists, 1426 33d et. ow, Phone Michigan 2574. We Paint It? You Sign It! Primitive (Grandma Moses type), Impressionist, Modern, Cubist, Abstract, Sculpture . also, Why Not Give an Exhibition?" The ad was just inconspicuous enough to excite the scoop hormones. Soon the wire se,ice teletypes were rattling off such disclosures as: "After thriving quietly for three years In New York, a fantastic new wrinkle in the art world?ghost paint- 1ri) Hugh Troy, king of the practical jokers, is a 225-pound 6 feet 5, which he corrects to "6 feet Rh since I lost my hair." ing?has moved to the Nation's Capital because of important clients high in the Government." QUOTING AN ANONYMOUS spokes- man, the stories went on to tell how the Ghost Artists, successfut commercial artists in real life, were fattening up on commissions from ex- ecutives who wanted to impress their friends or simply dilly-dabble in the artists.and.models life. In the hours that followed, however, our Washington correspondents began receiving edgy queries from their New York offices. The panting gaiety of the early dispatches gave way to retching lea the truth dawned. One by one?in messages such as the following, pre- served in the files of The Washington l?out_thenewsoyudiratescoctexsrd that they had been had: WE ARE WITHDRAWING STORY ON GHOST PAINTERS WHICH WE ASKED TO BE HELD OVER LAST NIGHT FOR FURTHER CHECKING. SOURCE HAS REPUTATION OF BEING A PRACTI. CAL JOKER. This happened to be a grave under. statement. For the source was Hugh Troy, and Hugh Troy :was nothing if not a notorious practical joker or a Leonardo among practical jokers, de. pending on whether or not you have been among the gulled. Harpo Maffi (in a ghost-written avti. ole, by the way) calls Troy "the most eminent practitioner of the art," H. Allen Smith devotes an entire chapter to Troy in his book "The ComMeat Practical Joker" and entitles it, "Gen. ius at Work." Ro(),YAPmRe Ar i.,NaKnSmhiakveo ebe cIot m?yea,a Tr p aoryt wno had a park bench made, set it down by a walkway in New York's Ceo Ira! Park. waited for a cop to come by, picked up the bench and ran?and flabbergasted the judge by producing the bill of sale. It was Troy who assured himself of CIDYRP.HT a permanent parking place at his front door ln Manhattan by carving a fire hydrant out of balsa wood and leaving it at the curb while he was away (a fire in the block finally exposed this one). It was Troy who, while a mere col- lege boy, panicked the city of Ithaca, N. Y., by cleverly "walking" a pre- servea rrunoceros nom tnrougn one reservoir. (Half the city wouldn't drink water, it was said, and the other heti swore they tasted rhinoceroa) All these and literally scores more of Troy capers have been chronicled, analyzed and, in the ultimate form of flattery, !malted endlessly. Little won- der, then, that friends of the men are forever asking each other, "What is Hugh Troy up to these days?" Far from being idle conversation, the question usually brings all other conversation to a hush. For while Troy's mature or Classic Phase artistry is usually aimed at sociely.at-large rather than individ- uals, nobody wants to be in the ranks of the gullible when a Troy production is in progress. rrs0 FIND OUT JUST WHAT Hugh Troy is up to these days, we dropped by his apartment the other afternoon. Troy is a barrelschested man of Pantagruelian dimensions, 6 feet 5 and 225 pounds. Nobody in Wash- ington. however, invites you in with a gentler, kindlier show of good man- ners?partly, perhaps, to assure you that there is no bucket of water over the dom. Foe while big league pranksters like Troy, press agent Jim Moran and the late industrialist Brian G. Hughes would sooner be caught taking a wood- en nickel than resort to the slapstick style of practical joke, their reputa- tions dog them wherever they go. "At parties, people come op and tell yew. -Do tionsetning funny:. Troy mourned. "Boyers ' and publlsheds al- ways used to suspect me of sneaking double images, nutty symbols or pie. torial gags into my paintings. It's an awful reputation to have." Troy's straight profession is author and illustrator of children's books, geffi eral illustrator and mural painter. Pub. Ushers have asked him to write his autobiography, concentrating on his life in jest. .1 couldn't begin to write a baok like that," he said, looking more penitent by the minute. "I can't even bear to read about all those things in Allen's book (H. Allen Smith's "Compleat Practical Joker"). It embarrasses me. Besides, I've retired from the field." But Mr. Troy, what about those cards we hear you sent out just the other Christmas? Reluctantly, he owned up to the soak-well Christmas card gag, and it serves as a good example of what in- spires Hugh Troy's talent for logical ? lunacy. "I'd been getting more and more irritated with the Christmas cards peo- ple send out these days," he explained. "They have pictures of martini glasses, Buddhist scroll drawings, the Italian invasion of Abyssinia, any damned thing as long as It's off the subject of Christmas." Troy went to a local stationery store, bought a large supply of paper with a faint watermark, had it out and folded Christmas card-style. The outside of each card was left blank and the inside bore the printed message: "Soak in tepid water for five minutes. Hugh Of the scores of friends he sent them to, some wrote back that their cards must have been defective because they had soaked it for hours on end (one soaked it for three days) and had got- ten only some kind of watermark. Others said Santa Claus' head load be- gun to appear, but what about the rest of him? The response Troy liked best was a telegram he received Christmas morning from the radio comedian Col. Lemuel Q. Stoopnagle (the late F. Chase Taylor). Arriving on Western Union's gay, green-and-red, holly-berry Christmas greetings envelope, broad', "GO SOAK YOUR HEAD." rr ROY WAS ONCE INVITED to lee lure on practical jokes at his alma water, Cornell, and his message to the students was this: Don't act like col- lege boys and sit down and decide to think up a practical joke. If you do, you 0111 come up with something flat and mechanical, such as painting aced mustache on the Founder's Statue at Dartmouth. Circumstances have to spire you. You have to seize the me noent. Troy's Ghost Artists stunt was a ease in point, lie was fed up with the prev- gence of ghost.writing in the United States. American University had gone so Inc as to establish a course in it. The president of a leading university had been caught delivering an inaug- ural address which, courtesy of a lazy ghost writer, had been lifted word for word from an article by aziother uni. versity president in an educational review. As with the Christmas cards, Troy decided to push a social trend clear over the cliff. Even after it was exposed for what it was, Troy's "Ghost Artists" inspired editorials on the ghost writing THE WASHINGTON POST Sunda Jo The first show of Van Gugh's work at the Museum of Modern Art attracted so many people that none of thern?including practical joker Hugh Troy ?coulcl get a decent look at the paintings. Troy suspected that most of the spectators were attracted more by Van Cogh's lurid reputation (he once out off an ear and sent it to a prostitute) than by his work. Accordingly, racket in newspapers throughout the United States. Troy has directed his talents at in- dividuals only when he found them unbearably pompous or, as in the case of British author Stephen Potter ("Gamesmanship: The Art of Winning Games Without Actually Cheating"), When he thought they had a sense of humor that would relish it. FitROY GAVE a party for Potter in 1 his Georgetown home. The first guest who arrived, a young matron, headed immediately for Potter and said, --Oh. Mr. Potter, roe Co enjoyed all your books, and won't you please autograph this one for iner Flattered, Potter took the book. reached for his pen, turned the flyleaf and found Hoe title, -Upland Game and Gunning, by E. Runcey Potter." Not wishing to embarrass the woman, Pot- ter signed it with an indistinct scrawl. By this time, a second guest had en. treed. Like the woman, he greeted Potter with warm words of encomium and handed him a Potter book to sign ?"The Lower Ganges Revisited, by Cokely Atherwart Potter, Bart." On they came, more guests, each bearing a book?"1 Was an Undercover Beatnik, by Rock Potter," "Senator Borah: Scourge or Good Samaritan? by Arthur Potter, Ph.D." "The Comte taus Blade of Being, by Cleanth Wel-- stone Potter," "Old Moroccan Flesh Mart Excavations, by Dr. AS Potter. Amir," etc., etc. Troy had planned the party weeks in advance, asking every guest to dig up a book by somebody named Patter? so long as it wasn't Stephen. AMONG COLLECTORS OF practi- cal joke lore, tradition has it that Hugh Troy is such a savant in the field that he has never been hoaxed him. self. Troy revealed to as that the is not so. It is true, however, that he has gotten even with most of tloe rascals who took him. Troy was first outplayed (to use a Stephen Potter term) by his sister. He was reading a geography primer one day when he came across the state- ment: "The ATChiC regions are in- habited by the black hear, the brown bear and the great white also." Ile asked his sister what The Great White Also was. She feigned surprise that Ile didn't know and said it was a monster who specialized in devouring little boys. For months thereafter she coerced him into doing all sorts of unpleasant things, such as washing his hands before din- ner and going to bed an time, by warn- ing lonn that if he didn't, The Great White Also would come after him. Troy was 14 before he devised suit. able retaliation. One day he began boasting about lois new.found talent as a poet. He kept it up for days until his sister finally challenged him to produce one of lois masterpieces for inspection or shut up. Troy put It in the form of a wager. He bet her three treats to the movies that if he sent one of lois poems to the New York Times, they would print it. Next day he hitchhiked to Auburn, Hugh Troy pulled his most enduring practical joke while in the Army in Work( War Of, Tired of the endless paperwork, Troy mimeographed forms for Daily Flypaper Reports, detailing the number of flies trapped on each strand of flypaper in the mess hall and analysing the results by wind velocity, nearness to windows, nearness to kitchen, etc. He slipped the Flypaper Reports in among &heals of regulation ones and sent them Os headquarters. Soon other units of the command began to catch hell for not sending in theirs, and rhe Daily Flypaper Reports became stand- ard procedure. For all Troy knows, by the end of the mar the Pentagon had made them regulation for ell the arm,i for6es. _ Skeiceee Mr Tom Wolre. The WeshinMon nest Troy carved an ear out of a hunk of dried beef, mounted it in a velvet shadow.box with a highly descriptive placard, smuggled it into the museum and hung it on the wall. The result is shown above: there was soon plenty of space and Troy (upper right/ enjoyed she paintings in peace. N. Y., and mailed a letter to the Times Sunday Book Review's "Queries and Answers" editor: "I am anxious to find a ',Wee of poetry. by an American, I believe, with some particularly moving stanzas about a gypsy maiden ahan. dolled on the trail by her tribe. Titus Grigsby, Auburn, N. Y." "T. G.'s" query was duly published. The following week, back in Ithaca, Troy wrote the Times the answer: "T. G. must be referring to the beauti- ful 'Curse of the Gypsy Mandolin' writ- ten in 1870 by the celebrated poet laureate of Syranuse, N. Y.. Hugh Troy. G. Claude Metter, Ithaca, N. le" -Flet- Ler" supplied the sianzas to clues:ion? a)so duly published by the Times, "So we leave her, So we leave her So we leave her Far Irma where her weer TOomt. In the scarlet fever In the scarlet fever In the scarlet fever Colwaleseent home." A FTER GRADUATING FROM COR. NULL ? which barely withstood his four years there?Troy went to New York to make a name Inc himself as an artist. One of his friends was Theodor Reuss Geiscl, now known to millions of parents and children as "Dr. Sense," author and illustrator of children's books such as "The Cat in the Hat." The two entered into what Troy cello's nutty feud." When Troy left town one week in February, Geisel, in collusion with tloe janitor, sneaked into Troy's apartment, emptied several dozen packagea Of Mb: In, a bagful of cut fruit and half a Joe en goldfish into the bathtub filled it with water and opened the window to the winter air. Troy returned one bit. ter cold evening, stamped the mow off his shoes, went to the bathroom to draw a steaming tub?and found the World's largest frozen fruitenefish gelatin. Troy's revenge took weeks. Geisel and his wife had just moved to a high- toned apartment house on Park ave. Their apartment shared a foyer with another across the way, but the two families had never met. The Geisels often invited Troy over for supper, Each time, just before knocking on the door, Troy would deo orate the foyer with a new object, al. ways in the worst possible taste?a second-hand oak-stain table with un- even legs, a lamp with a ceramic base in the shape of a Turkish belly dancer, a bleary dimestore mirror. a Niagara Falls felt pennant and an rm. The Geisels thought their neighbors were responsible?and often comment- ed to Troy about their boorish taste? while the neighbors blamed the Gei- sells .The Niagara Falls felt Tennant was the last straw for the Geisels, and they complained to the building super. intendent. "That's funny," he told them. "Those other folks said the same thing about eon. In fact, they called up the owners and asked them if they let just any old trash live here." HUGH TROY SAYS HE FINDS it hard to understand why Wash. ington, which seems an fat for the plucking, has Inspired, no few memor- able practical jokes. He has heard of On, however, which quite frankly made him jealous, he confesses. It seems that one of the more se. comity-conscious Federal agencies set forth a regulation saying that any em- ploye who happened to speak with any person under contract to a news me- dium (newspaper, television network, etc.) must report the gig of cis con. versation in memorandum form the next day. One of the agency's middlemanking officials was a personal friend of many Washington newsmen, lived next door, in fact, to a correspondent for a New York paper, and found it a useleg burden to have to file the memos three and four times e week l,'r:oclrrd Hoping to needle the regulation out of existence, he began to file truthful but picayune reports on the order of: "Was approached late yesterday after. noon by John 13,--, under contract with the New York?, who inquired: 'Has OM cat ;lunged over in your yard? We can't find loim.' Replied: 'Haven't seen him, John.' Conversation termi- nated" These had no effect, however, so he decided to pull out all the stops. His final report read: "Was eating dinner last evening when a sharp rap sounded un the front door. Opened door and found a YOuna !non known as Leroy, under contract with The Washington Post et Times. Herald. Asked: 'What is iL, Leroy'? Ile 'Ire come to collect for The Wghington Pont' Produgd amount requested and said, :Here you are, Le. roy.' Ile said: 'Thank you, sir.' Convee sation terminated." Infuriated, his superior took the memorandum to the agency's top.level staff meelong, The man's bog Govern. inent career hung in the balance?un. Ii! the agency's director, unable to run' loin himself, exploded with laughter and toppled backward in his swivel chair. That was the last of the regula. Lion. BUT TO GET A TRUE IDEA of jest how dearly Hugh Troy laves to see phonies, stuffed shirts and tin mar- tinets cut down to size, consider this one he tells on himself. A friend who ranked very high in the Slate Department asked him over to lunch one day, and Trey dressed to the nines, including vest and homberg. At luncheon's encl. his friend graciously offered to have him chauffeured home In a State Departmept Cadillac. Troy was settled comfortably in the hack seat when the limousine stopped for a red light h.ide o bus load of touring high school students from Texas. Everybody on board was fee tamed with Pinocchio hats and plumes and on sunken gmnileep in app/e candy. lint young man displayed a wa- ter pistol. . Spotting the silkhaiblack Cadillac, he squirted a tentative trickle of wa- ter on the front windshield and en. joyed all the giggles. The chauffeur looked around at Troy as if to say: "You can't tolerate a thing like that.' Troy adjusted his homburg, swung the back door open ponderously, ley. elcd a forefinger at the students and orated: "I happen to be Sen. Radiant J. Lungburst of Texas, and if you hoo ligans are representative of the young men and women of Texas today, then it is time for our great state to hang its head in infamous shame!" ruHE STUDENTS were shocked into silence at the sight of an enraged old dignitary who confronted them. But the genetic residue of Jim Bowie, Davy Crockett and Sam Houston sod- denly sparked alive within the gunman. He let "Sen. Lungburst" have It full stream?all over the vest, the fine worsted suit, the silk shirt, the horn. burg, and flush in the music. As the light changed, Hugh TraM dripping from hamburg to bluchers, was still blustering at the top of his lungs: "You?you?I'll take this to the Legislature ? I'll take this into the halls of the United States Senate itself ?1'11 ?" Troy bed yowling, bystanders kept hooting and the boys and girls cheered their deadeye outrider as the light changed and the duel became history. "It was perfectly wonderful," Hugh Troy recalls. "Perfectly wonderful! You know, that kid will be a hero as long as he lives. lie may groW up to be a wife beater, a snooker Mayer, a 10th. well, a dun dodger, a church shirker and an absolute leech on the welfare and good name of the community. But he'll never be a total failure. As long as Inc Eves, hell be remembered as the guy who put that pompous old ass in his place back in Washington, D. C., cpaRitimd - Approved For Release : CIA-RDP75-00001R000400400014-5