TENTATIVE ARRANGEMENTS FOR (Sanitized) WEEKEND - 19-21 MAY 1972

• Document Type: CREST
• Collection: General CIA Records
• Document Number (FOIA) /ESDN (CREST): CIA-RDP81-00261R000100010006-8
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 7
• Document Creation Date: November 17, 2016
• Document Release Date: May 26, 2000
• Sequence Number: 6
• Publication Date: May 21, 1972
• Content Type: AG

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Tentative Arrangements for Weekend - 19-21. May 1972
1. TRANSPORTATION
Air travelers will depart from the Headquarters garage at 1600 and 1.630
hours 19 May for. National Airport as follows:
1600 Hours Departure
DDCI vehicle - General Waiters, (if DD/P cannot attend)
DD /S &T vehicle - Mr., Duckett, Mr Proctor
DD/S vehicle - Mrs Coffey, Mr,, Briggs, Security Officer/Courier
1630 Hours Departure
DCI vehicle - Mr. Helms, Mr. Colby
D/IC vehicle - Mr. Tweedy, Mr o I-Iuizen a
(The DD/P will travel to and from by automobile,)
Air travelers will return. to National Airport (arriving approximately 1400
hours) on 21 May where they will be met by the DCI, DDCI, EXDir-Compt,
D:D/S&T, and DD/S vehicles,
2. CLASSIFIED MATERIALS
A Security Officer/Courier will accompany materials to and from
Classified data to be sent by courier should be delivered to
Room 7D-18, Headquarters Building, not later than. 1400
hours 19 May
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3. COMMUNICATIONS
staff
Secure electrical message facilities are available, The
will be augmented by two TDY communicators. Secure voice is also available
(Attachment A contains additional communications instructions o)
4. ADMINISTRATION
MAP - Attachment B is a map of showing the location of
ROOM ASSIGNMENTS - See Attachment C.
MOVIES - Descriptions of the four movies available during the conference
are also attached (Attachment D) for your perusal o
EMERGENCY TELEPHONE CONTACT - Dependents should be instructed
in event of an
to telephone the Headquarters Security Duty Officer
emergency requiring contact with one of the conferees a Messages will be re-
layed immediately
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 - 16 /' ) [w,?]
Appro~?p1 4 ila ~ `~- nai~a r~in_Rnp
Produced by Robert Enders and Everet
Freeman, `Zigzag" has the advantage of at
unusual, well-developed story: excellent per
fornlances; tight, exciting direction; anc
outstanding production values. It shout
prove a money maker for MGM and ex
hibitors everywhere.
The screenplay by John T. Kelley, base.
on a story by Enders, has George Kcnned
as a man who discovers he is dying of
brain tumor. He refuses to take a chance of
an operation because it could leave him
"human vegetable." In order to see that hi
wife and daughter are provided for aftc
his death, Kennedy sets out planting clue
to frame himself in a year-old murder case
His objective is the $250,000 reward offers
for the arrest and conviction of the killer
He is successful, but right after a jury find
him guilty, he collapses and is rushed to
hospital where the tumor is successful)
removed. Kennedy then explains the trot
to his wife and lawyer, but his lawyer re
would believe his story.
In an attempt to Clear himself, Kenned
escapes and sots out to find the real killer
Through the help of a girl who had had a
affair with the murdered man, Kenned
finds evidence pointing to the daughter o
one of the man's partners. He arranges
meeting with her, hoping to confirm he
guilt but discovers she was innocent. Th
real killer has followed her there, however,
and is apprehended just as he is about to kA
Kennedy.
Kennedy gives a controlled, belicvabl
performance and has a way of underplaying
a role to maximum effect. Anne Jackson i
excellent as his devoted wife and Eli Will.
each is warm and often amusing as the law
yer.
Richard A. Colla has directed the file
with a firm hand, advancing the story it
creative, Cinematic terms. His use o; light
closely cropped frames and ususual canner%
angles is highly effective and excellent[
executed by director of photography Jame
A. Crabc. Ferris Webster has edited the, file
to a tight 1.04 minutes and Oliver Nelso
has provided an etTective music score. Ollie]
outstanding credits include George W. I)avi.
and Marvin Sunmrncrficlcl's art direction anc
Robert R. Benton and Chuck Pierce's se
decoration.
minds him that a convicted criminal cann
obtain a new trial without new evidence. H
also says he does not think a second ju
lZC1lC s e 1/r4: cr, ,
INGTON.. t~ yt~~
~~ 61~610U,lbo IQA * 1ti,S. April-1,'i:l
,
.
1
...... George Kenned
.
Paul R. Cameron ....
Jean Cameron .................... Anne Jackso
Mario Gambretti ..................... Ell Wallac
Assistant District Attorney Gates
............................................... Steve Ihna
Morrie Bronson ................ William Marshal
Lt. Max Hines ........................ Joe Maros
Harold Tracey ............................ Dana Elea
Sheila Mangan ......................... Anita O'Da
CPYRGHT
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 LG~.
better performance here as both Marvin
and Mifunc, reliable experts, come across
very well. Early "dialogue" consists mostly
of screaming and grunting' some hysteI.i-
je!,a Loorr?oan, w o pro sages. But this could never be tcrnnec
.i:,:,or of merit by turning an ordinary conversation" as Marvin speaks Einglish,
;iv4 story into the flashy and aurae Mifunc Japanese, and neither understands
,: -Point Blank" last year, has taken on
ll in the the other, Marvin asserts his usual imposing
"H
e
ambitio Is project in
I gruffness, but Mifunc, as to turning little
stealing each other's provisions, and even- Filmed mostly on location in the PaciflC
Wally begin tea sin and taunti
g each a far,=el Ja ,,lose and American. crew,
other-almost playfully-probably more b'Hcll in the pacific" is that rare kind of
out of sheer boredom than anything else. "general audience" picture that can be ap-
And finally they are stopped dead in their preciated on any number of levels, all of
tracks with the reality of their overwhelming which are perfectly satisfying.
need for each other if they are to overcome Re-
their situation, or at least cope with it. Seen at a home office screening.
Whether the story is meant to be taken viewer's Rating: Excellent-LEs SCHWARTZ.
at face value or as an allegory is a inattQr Running time, 103 minutes. Early 1969
best left to individual interpretation, and release. Panavision. Color.
but their being natura ?
;hey immediately try to destroy one an- mark setting the moods and underlining the
other. They progress to just attempts at different paces to great effect.
there will be many opinions on the mcap. Lee Marvin
ing of producer Reuben Bercovitch's story Toshiro Mifune
d Jncobs
Mad Hatter, animatedly struts around, con-
torting his face, flailing his arms and ac-
tually makes you think you can understand
-what he is saying. They are terrific together.
Schifrin, the much-heard writer of
the "commercial" motion picture and tele-
vision score, has here outdone himself with
perhaps his finest work to date. In a film
that must necessarily rely a great deal on
music, such as this, Schifrin's compositions
h
e
of weird sounds and lovely themes hit t
Mifune, and the broader open action scenes.
and the screenplay by Alexan er
'Lnd 'Eric Bercovici. The film, also, can be
taken simply as a war incident with plenty
of action and excitement, although of a
most unconventional variety.
Boorman has blought to "Hell in the
Pacific" all the plodding delicacy and pho-
tographic artistry that 'tfave characterized
and become the elements we recall first
when thinking of the classic Japanese films.
Cinematography, under the direction of
Conrad Hall, is superior, capturing in some
cxcelIently composed shots the feel of the
nnore intimate scenes between Marvin and
Approve
/~ /0 r/
rZU10Usir;J---S01 ,Ur
to charade starring Lee Marvin and Toshiro
vifune-certainly the most extraordinary
n:t of eating since Kim Hunter and Roddy
Dowah1 as simian lovers in "Planet of
the t.pes."
The story presents Marvin as an Ameri-
can soldier and Mifune as a Japanese
stranded on an isolated Pacific isle pre-
sunnably during World War II. Unable to
communicate with each other because of
the language barrier, and for no reason
i wlrtimc cnenucs,
CPYRGHT
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 CPYRGHT
[GPI
~. ~ f1~ ?9 wr~-
:1
Columbia-Robert M. Weitman
Color. Reviewer's Rating: Very Good.
June -release. Running time, 98 minutes.
Frank R. Pierson.
poll
child they had left in bed, his rescue calls
by "ham" radio undoing the whole caper.
Sidney Lumet cleverly directed the Robert
M. Weitman production from a script by
A trio of clever gimmIC :s s inis ,
from the best-selling book by Lawrence
Sanders, ajrt from the routine thriller
about a : obbcry. Starting slowly, it builds
to an exciting climax, detailing the
methodical ransacking of a small but expen-
sive New York apartment house, while
some of the tenants are still home, by a
gang headed by Scan Connery. It has
suspense, excitement and performances, and
should be especially pleasing to the Summer
theatre audiences looking for real entertain..
meat. Connery, out of jail, dreams up the
caper, executed with the aid of Dyan Can-
non, his girl friend, who lives in the building;
a mobster, Allan King; an interior decora-
tor, Martin Balsam; a novice burglar,
Christopher Walken, and a few others. The
main gimmick is the fact that the whole
caper is recorded on wire-tapped tapes,
which are illegal, but the taped record is
not understood until after the event. A final
gimmick has the robbery spotted by the
1' through the radio call of a crippled
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 Pararnoun1/B1ake Edw47rds-Satiric Western
C(' Suggested for Mature Audiences
The old West will never be the same.
Visions "of the innocent, nubile rancher's
daughter, the noble sheriff, and the poor
but honest stranger with a gun, should
be all but dashed after "Waterhole #3"
breaks out of the Paramount Stable
yor their first film ?tTort, prattueer
Joseph T. Steck and director William
Graham have collected an interesting and
likeable cast to run the gamut of broad
farce, slightly distilled with the subtlest
satire. An original screenplay by Steck
and R. R. Young depicts James Coburn
as an abrasively witty but cowardly wah-
derer who meets the traditional gunfight
showdown by standing beyond the range
'
s pistol, only to cut him
of his opponent
down with his handy Winchester rifle.
He is also the kind of abominably-de-
tached rake who can lock the sheriff,
nude, in his own jail, sneak into his barn,
seduce' his daughter and steal his prized
blue roan horse. Cobi.w 's predatory na-
ture, however, results in an even grander
design-someone else's gold-with the
aforementioned deviations simply a pre-
lude to bigger and better things.
But just when one would begin to up-
braid Coburn for his don't-give-a-damn
attitude toward his fellow'human beings,
said human beings begin to lucidly reveal.
themselves as equally corrupt and devoid
of morals as he is-just a bit more slow-
witted.
Carroll O'Connor, long a familiar face
in character roles, has one Of the juiciest
comedy parts one could Fisk for, and he
knows exactly what to do with it. As his
daughter, a vituperative and wistful Mar-
garet Biye by turns, keeps screaming
"I've been raped and all you can think
of is your lousy horse," O'Connor, pre-
occupied in thought as he mounts his
trusty white mule, retorts: "I can only
concentrate on one insult at a time, girl."
Meanwhile, back in the desert, Coburn
is following the lead of a map lifted off
the dead gunman that points to Waterhole
#3 where the Army's stolen bullion lies;
O'Connor is following Coburn to greedily
get a piece of the action; the dead out-
law's partners, Claude Akins and Timothy
Carey, are following both to reclaim their
booty, and Miss Blye is following all to
clear things up and claim Coburn for
herself.
Obviously Coburn and cohorts had a
rand time making this bawdy and quite
unny film. The fun, fortunately, is nearly
lways contagious. An amusing title song, '-.
The Ballad of Waterhole #3", is wovcii
In narrative form throughout by Roger
eviewer's Rating: Very Good-TONY
1LLUZ'LO.
Running time, 100 minutes. Release
ate, October, 1967. Techniscope; color.
ewton Cole .............James Coburn
lierifl: Copperud ...... Carroll O'Connor
illee Copperud .........Margaret Blyc
gt. Henry Foggers ....... Claude Akins
ilb .....................Timothy Carey
Deputy Samuel Tippin ......Bruce Dern
Lavinia .Joan Blondell
Captain Shipley .......James Whitmore
Ben .......................Harry Davis
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