LANDAU: OBJECTIVE, BUT NEVER DETACHED

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP90-00806R000201060010-1
Release Decision: 
RIPPUB
Original Classification: 
K
Document Page Count: 
1
Document Creation Date: 
December 22, 2016
Document Release Date: 
July 22, 2010
Sequence Number: 
10
Case Number: 
Publication Date: 
April 24, 1981
Content Type: 
OPEN SOURCE
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PDF icon CIA-RDP90-00806R000201060010-1.pdf135.14 KB
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Sanitized Copy Approved for Release 2010/07/22 : CIA-RDP90-00806R000201060010-1 s ' T I C . X , AP ON PAGE to terrible on this side of the: camera," Saul Landau rgri- maces as a photographer-staits to ..w take his picture. Landau is not at all shy behind.the' camera. In fact,' he's particularly'. adept at capturing the more elusive human elements-of the situations bee fore his camera.He is Washington's foremost, and probably least gener ally appreciated; documentary film- irs maker. Tonight, the" Institute, for' Policy. Studies begins a-five-week series of his films; beginni*o with "Paul. Ja- cobs and the Nuclear- Gang," co- written and directed with Jack Willis in 1979. :-' The series continues May 1-with "Que Hacer?" the film Landau made with Nina Serrano and Raul Ruiz during the Chilean elections of 1970. Documentary footage sets the scene for a fictional story of political intrigue and transformation. It will be followed on May-8 by "Who Shot: Alexander Hamilton?" - awittylook at the Watergate Congress-and its pe- culiarities... The harrowing "Brazil: Report on- Torture;" in.whiclx.Landau? and..Hast,? kell Wexler interviewed. exiled Bra- zilian prisoners, wi l be shown May, '15. Elie series closes on May 22 with' ? two tascinatin . portraits of to era : whistle-blowers in.-THe CIA Lase icer and a ne r u a er. Alt shows start at p.m:a .NW, and will.be4ollowed by discussions with guest speakers. Admission is S3.50, with a series discount avail-- able. The opening film, "Paul Jacobs and the Nuclear Gang," won-.the George PolkAward for investigative., journalism in 1979 and an Emmy for best documentary.: In it; reporter, Paul Jacobs? himself hying of. a rare WASHITIGTON STAR (GREEN MITE) 24 APRIL 1981 'He wear cancer- thought to have been. con pled cordu tracted'during his reportage on low- shoes. His office is crowded with the way: various government .agen- cies have covered up the effects of nuclear. testing and the nuclear. energy industry in the United States. The film is a remarkably moving. document;-a? human portrait'-of- a friend- making his last stand in a.. long struggle against bureaucracy and-secrecy, as well as a revealing piece of journalism. It is probably Landau's. best-known film, though it is only one of more than., two dozen. he has worked on since he wrote his first script, for Robert Nelson's fam ous satirical short, "0.Dem Water: melons," in 1966. ? At the ' time, ? _ Landau was a playwright for the San' Francisco Mime Troop. Shortly thereafter, pub-. lic television station KQED hired him to write and co-produce a film about life in the.black ghetto of Oak- land. "In those days, white people still did that," Landau says. The resulting film, "Losing Just the Same," was a controversial success, incorporating R.atasy sequences acted by the sub- jects of the documentary.. He continued to produce films for public television, but kept locking horns with cautious executives over journalistic standards and conven- tional cinematic language. ("That grammar is industrial and serves the same function as automobile de- sign," he says of Hollywood's -ideas about structuring information and drama.) He became an independent producer. ' . Landau likes'his privacy, which is one reason the public doesn't know much about him. But another is the books and posters of the movements he has been part of (the first was an effort to recall Sen. Joseph McCar-; thy, the "Joe-must-go"% campaign at the University of Wisconsin in the 'S0s} in his career as apolitical ac- tivist,--journalist and filmmaker. ~. ? Landau is an incredibly boyish 45, with laugh lines around his eyes and' a ready smile, but when you look- at the posters and think of the books and fif ns,'it's sobering to remember how many of his friends and co- _tWorker-shayedied-doing-their work. : There was Paul Jacobs., for in- .stance , with;.; whom Landau: completed . two:_,',-books .'of - doc-- umentary history about the anti-war movement and racism. Jacobs died of cancer during.the filming of "Paul ' Jacobs and the Nuclear Gang." Lan- dau's most recent book?-"Assassina- tion on Embassy Row," written with John Dinges, chronicled the 1976 bombing murder in Washington of IPS colleagues and friends Orlando4 Letelier and Ronni Moffat. And some of those who worked with Landau on ."Que Hacer?" have-since been im- prisoned or executed by the military . junta that overthrew Salvador Allen- de in1973.'.?. It was during the making of "Que Hacer?" that Landau met Haskell, .Wexler, whose camera work has l graced many Hollywood features, in- cluding "Bound for Glory," for which he won an Oscar. Wexler had just directed "Medium Cool" and agreed to-invest some money in Lan dau's film: "We . just immediately- -became friends," Landau recalls, especially- after Wexler joined him for a trip_to Thunderbird College in -Arizona , film are nearly always controversial whete "Fidel," Landau's intimate political and social problems -'thee film.portrait of Fidel Castro as both kind!of things that often'scare off man -and leader; was to be shown. the mainstream mediae and are the it seems this w a lace that was ' daily meat of the Institute for Policy set u .y a LIA and maor Studies; where he is a fellow.mu tall a lon i corporations t o trin, ea "Working at IPS provides me with tor -alotoffreedom Iwouldn't otherwise eign s u en fo serve as execu_ li ves overseas, an au says. have," Landau says, propping his mon t e student chair back against a filing cabinet. v t ra t e Bay o igss It Someone waves to- him from across - was pret interestin . I was. hall _ ,Q Street, where IPS has more offices ing in a fiav rom t e gate s we on the upper floor of the old Anchor- "drove in." ? ? age Building. Landau waves back - ??- " and- laughs. ~oxgzx~~ Sanitized Copy Approved for Release 2010/07/22 : CIA-RDP90-00806R000201060010-1