TRANSCRIPT REMOTE VIEWING (RV) SESSION D-76

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000500310001-3
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 27
• Document Creation Date: November 4, 2016
• Document Release Date: April 5, 2000
• Sequence Number: 1
• Publication Date: October 10, 1980
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY:MSG,DAMI-ISH
DATED: 051630ZJUL78
NOT RELEA W `I ITTUGN NATIONALS REVIEW ON:(jc
GI ILL FLAME
61w,"i in j
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REMOTE VIEWING (RV) SESSION D-76
TIME
#14: This will be a remote viewing session for 10 October 1980;
mission time is 1000 hours. SG1A
SG1A
All right #10.5 the time is now 1000 hours. Your mission for
today is to locate I want
you to relax, relax, concentrate, focus on I
want you to describe his surroundings to me.
#10.5: Hmmm...getting a...a feeling having him in a very large plant.
A large huge plant. Large, huge motors. Huge generators,
mechanical complexities, high ceiling, huge motors up on my
right. They are rounded and long and big. Some generating
plant, or...a big mess up on my right. I'm down below....narrow....
hallway. SG 1 A
#14: Focus on- Tell me about his condition. What is he doing?
#10.5: I had him...it's (mumble) weather, and he's wearing a black
jacket, black coat. I saw him walk across this narrow street near
an building. Like walking down an alley. I'm trying to isolate
a... Now, I see him. He's a...I saw him getting on a bus.
Now, it's a street car, not a bus, a streetcar. He's ah...
I have him isolated nodAs sitting in a seat.
#14: I want you to focus on JJ- sitting in the seat; describe
his actions and what is he doing while sitting in the seat.
#10.5: He sits very quietly, towards the rear right, his hands are
folded, he is wearing gloves, and has a dark, long coat on.
He is wet. He looks out the window, and he is on the move.
He is moving. For a reason he is doing these things. Moving
always in the background is this first imagery of this big,
electrical power thing. It's always there. Like it's just
over my shoulder. It's something to do with this. It's
always there.
#14: Ask yourself the reason he is on the move. Why is he always
moving?
#10.5: He is not always moving. He has a small temporary place in the
city. It's just a small flat. But, he's going to be here for
like several weeks...three, but, then he's goes back, and he
is down here for a special reason. But, he is here temporary.
I see a small flat.
#14: Okay. I want you now to go to this flat. Describe this
flat to me.
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SG1A
#10.5: Ah...can't get to that...hang on...look at that. I'm
going up stairs on the right side of the building, but it
is exposed. It's like there is only an empty lot below.
It's near a street corner and he has to go up outside stairs
to go in. He walks in on the...off these outside stairs.
There are..... several flats in this, this over top of a.....
I see bicycles. Maybe something like a toy store.... bicycles.
I see kids bicycles. But, ah...there are only like three
or four in here. He is ah...can there I saw...can get some
imagery here. (Mumble) I can see another bed with my back
to the wall. It's a little rectangular but.....there is
some funny thing on the right that hangs out into the main
room like it's a.... hanging curtain or partition a little
ways, but on the other side of that on the right is the
cooking area, it's not real big. And, on this side of it
on the right is a little bath. Bath area. It's sort of
small, but not super small..
#14: All right #10.5, at this time I want you to leave the flat.
I want you to, standing just outside the flat, to slowly move
your perspective 500 feet above the flat. 500 feet above
the flat. I want you to look around 360 degrees, and describe
any landmarks that you might see.
#10.5: It's a big city area. Ahmmm...ahhhhhh...it's a..... There
is a ah...the first thing that hit me in the eyes is two ah..
gothic towers. But, they are a quarter of a mile away over
the buildings. I've been here before. It looks familiar.
Tracking right. At about three o'clock and closer...is a
very large gothic, four or five stories... large square out in
front of it. I think this guy is in Munich. I keep getting
all of these familiar pictures. SG1A
#14: All right #10.5. I want you to focus again on
I want you to get right up next to him.
PAUSE
#14: When you're there let me know.
#10.5: All right ........... All right (sigh)
PAUSE
#14: All right #10.5 Ask yourself this question, "Is this man
hiding anything?" Is he hiding anything on his person or
in his mind?
#10.5: At this moment, he hides nothing on his person, and he
hides numbers in his mind.
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#14: What do these numbers mean?
#10.5: Numbers in his mind are something ..... I have a long series
of numbers. Eight or nine digits. The first two are two,
nine. They are keyed to something. I don't know what.
#14: Ask yourself for that key. Ask for an image that will give
you the key.
#10.5: I have an, a, I got a, ah, some of these, ah, a, can't
believe this.
#14: Tell me about it.
#10.5: A bank of boxes. I got a bank of metal boxes that are about
five high, and about 50 long.
#10.5: Then we saw this grid work, gray metallic squares..... where
am I? Boxes are large boxes. They're not small boxes.....
They...umm(phonetic) gray metal, baked metal, like our lockers.
Like our wall lockers in color. I got my back to this bank
of 'em, and I'm-in a tile hallway... Not a tile. The hall-
way, ah, smooth, highly bluffed... speckled light, light with
dark speckles in a, I'm in a, s-s-set back off of a
hallway on one side, and on the other side there are windows
.....large picture windows on the other side from about the
second floor looking out...ah... I'm really jammed in this
Corner here. If I can't get S out of this corner..... wait............
G1A
#14: Okay. Focus, focus again on - Focus on his position
and his mind. I want you to focus very hard, very intently,
concentrate on those numbers, those series of numbers that
you described he was hiding in his-mind. I want you to
give me........
#10.5: Series of numbers is'm...I'm beginning to feel a correlation
that they're.....I, when I was just looking the front of
these boxes, there are rolling dials on the front, and then
as, ah, you had started to talk, first the, ah, two, nine,
five, and the box that I'm interested in is, ah, T-(phonetic) down and
two in front the right end.... But, that the remaining number
of numbers I think is associated with the dial, and not with
the location. I think the two, nine, five is the location
Noq. I get a four, eight, an'....seven, eight or nine,
and that's it.
#14: Okay.
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#10.5: I only had, umm, four dial things. Just like I'm in a,
ah, I don't know where I am. It's a...when I first saw
it, it reminded me like ah, traveling place, ah,.sort of
surmiz.ed that I was in a airport or some other moving
place...public moving place, movement place... See large
leather satchel in this thing
#14: Okay. I want you at this time to review the contents of
this leather satchel. Ask yourself, ask yourself, "What
is in this leather satchel?"
#10.5: (Mumbling)
#14: All right #10.5, 1 want you to. maintain. your focus, and
concentration. I am now going to change the tape to the
other side as quietly as possible.
(ADMIN NOTE: Tape turned o xer)
#14: All right #10.5 the tape is.....
#10.5: There is...ah, I'm in this little locker. I'm sort of
sitting next to the bag... like this (mumble) in the back, and
I said was in, ah, and I said, ah, I have some little feeling
of a, some sort of a, apparat- and some device which is a
little bit bigger than a pocket calculator, but, the pre-
dominant thing that came ..... I sort of said, you know, that's
too easy, come on give me a break, and, and, I was sitting
back there, and I'm saying, so, what's in the bag here, an'
suddenly, I got one end of the bag is a filthy stack of money,
a large amount of money, in large, ah, denomination bills,
ah, all-nice and new and crips, like they're all packed up
and banded together like you'd band them in a bank, like
presorted, and precounted and everything all ready like a
cache of wealth, but, there's also this other thing, which
is this plastic thing which is plastic and metal black,
metal facing, and..... I had this feeling of buttons and
punches on it that is a little bigger than a calculator is
also in there, and they're (phonetic).....
#14: This. device that you've described, this plastic thing with
the buttons and punches, ask yourself what is the function
of this device?'
#10.5: This is all sort of coming so fast I don't know what's
happening, but.....the device is something that plugs into
the dash of an aircraft. It loads into the dash of a
helicopter, something..... at one time I see it, and, in two
places, I see it attached to a pilot's knee and another
place I see it punched into the dash to this in guy (phonetic)
4
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#10.5: The bag will be picked up by two men. They were dressed in,
ah, suits. Gray suits. They will both be carrying other
suitcases....... They'll each be carrying one, and one guy
will carry this bag, too. They'll walk to the right, like
I don't know, I don't know if they're arriving or leaving
.....or if they just want to look like they're arriving or
leaving.......
#14: All right #10.5 I want you to focus, focus very clearly on
this location. Tell me. all you can about this location.
#10.5: Well, in the micro-I. guess I was pondering where these people
were going. I.saw them loading into an aircraft, and, the loading
type, where you have to walk up the push up ramp...the
commercial aircraft, I had the feeling it was, ah, a
domestic flight. There was not a international flight, because
they were able to carry this-bag on without anything
bothering them. Just like no customs or anything. It sort
of came to me very logically that where they're going is Berlin.
'cause things can be gotten out of Berlin 'lot easier than
anywhere else. I don't know. Right about now, I'm beginning to
wonder if I'm just.........I don't know. Your asking me where
this is earlier, much earlier in the session, I don't envision
the outline of West Germany when I was doing the cathedral
thing, and the big bulb was the bottom of West Germany that
swings around and under East Germany in the Bavarian area, and it
was very, very matter-of-fact that I was in Munich, that I was
down in the bottom part, down near the bottom of the bulb, and
I said, okay, let me make: sure that's so classic, it's
ridiculous. I said, how about Stuttgard, and then, no, that
didn't fit. How about Neu Ulm, no, that didn't fit, and I
was right down there, down, right down near the southern border,
and, and it was obviously a large town sleeping down there. So,
I've been working on the feeling that I was in Munich all along.
#14: All right #10.5 I have no further questions, at this time.
Is there anything else, anything that comes to your mind.....
#10.5: Euh(phonetic) Knowing how crummy I am at numbers, and.....
the feeling was that the tail of this aircraft that had a one,
two, eight on it, and I don't know. If it's really neat now,
here I am, I'm sitting here looking at this white tail that
these people, two guys got on trying to figure out, okay....
if I can help there, maybe I can, and one, twenty-eight
comes in, and now I was sitting, while I was sitting there
talking, I was seeing the blue, the blue circle that has the
spiderweb lines on it, where of emblem (phonetic). The only
other thing I can think of doing is, is trying a time
calibrating of some kind (phonetic). This guy got this thing
down here. This guy got this thing down here....the box thing.
I hate to think it's US, but I think it's French.
#14: Are there any words associated with this?
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#10.5: Maybe, ah, wait.....:... biggest thing. is time, um, I slide
rule, on my slide rule says that from today when this thing
is picked upiit is only slightly over half of a 30 days.
It went down in like on day 16 or 17, just slightly past
half way on a 30 day slide rule. Okay. let me try it again......
Yeah, still works the same way. The only word associated with this
thing with is just now, when I was working on the French,
American,.I, reason I said that is that I was looking outside
of a, um, a TAC-type helicopter which was unfamiliar to me,
but only vaguely familiar. It's with several big bulbs
protrusions that, that the lower cockpit, and as I was
describing to you American versus French the word allowatta
(phonetic) came into my mind, but I didn't speak it at that
time. I'm burned up. I'm so far near the top, I'm almost awake.
#14: Okay. All right. We're now ready for debrief.
#10.5: What have we got?
#14: Okay. In chronological order what we're interested in is very
early in your session you were describing a large plant of some
kind, uh, with electrical generators or some type of things
in it whatever.
#10.5: Aha, aha, yeah.
#14: I'd like a drawing of that period.
#10.5: Okay. I, uh, that was like my acquisition. I guess it was
like my acquisition thing. It was like I was in this really
high ceilinged place, okay. I'll make this two. Have something
else here. Okay. First, sketch one goes like this. This is
like a hallway. Sketch one was as though I was in the gut,
the guts of-an old fashioned radio, and you know your old
fashioned tuners have these thin sheets of metal side-by-side-
by-side-by-side, and they're in some sort of a weird contour...
shape, okay. Okay. Anyway,there was this this type of a
this feeling of , uh, like these layers of sandwiching going
off into the distance, and they came straight down, and then
they angled out at about a 45 degree angle. And, was just this
layer after layer, after layer, after layer, and I was like in
this little hallway. On the left side was essentially blank,
and flat, on the right, this thing was on my right, and it was
just this, you know, (mumble), and I said what in the heck is
this. This is like I'm, you know, uh, a long side of some sort
of a weird multiply partitioned wall, and these things were
very, very thin, you know. And, I had the immediate feeling of
like electricity you know. Electrical, electricalness.
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#10.5: Okay. So back to sketch two, or now to sketch two,. which
I'd started, and then I went to one instead. Uh, this feeling
of this regimented sandwich lines going off into the distance,
I'll label that so you'll............ is that, that same
similarity in feeling was was here, and it was like to my
right was a raised pallet, and that on this raised palleting
................were these......... huge things on my right.
And, that these things were like magnetos or generaters or
something electrical, definite power feeling, electrical, and
in this perception, I was just, uh, compared to these I was
just minuscule, so the perception was as though these things
towered 20 feet above my head, okay, and they were round oblonged
baked, well-cylinders. They're smooshed cylinders so that they
make this oblong roundness to them, and the feeling was that
there was these, you know, that there were couplings coming
off of them, you know, with all sort of switches, and wire, not
wires, but like heavy cable was the magnitude that I was per-
ceivin g, you know. These heavy cables coming off and trailing
down and around in cable blocks. I sort of had the.... sort of
had the assumption that I was in some sort of a large power
plant. Okay?
#10.5: Magneto generator, electricity .... thin g3....and this was, this
on the left side, this is the little hallway feeling, this
little wedge of openess, like I was really in some industrial
plant. This little passageway...I could look all the way down
the end. Uh, and this was still blank on the left, okay. So,
by that, that's it.
#14: Okay. The next area of interest is the flat.
#10.5: Flat. Okay. I believe that should be drawn longer..........
When I looked in the window, the downstairs level....had the
feeling of a bicy-kids bicycle being in there. Okay. In the
window. Like it was a toy shop or something ..............
Okay. Staircase..like a metal fire escape staircase going up
the outside, doorway in it that has a window on the top part
of the door, okay. Wooden doorway. All right. Ummmm......
Did not, I cannot put windows in on the second floor front.
I don't know. This is like an empty lot in the...it's right
in a downtown metropolitan area. Okay? This is sidewalk,
sidewalk, and this is street, and this is street. In the back,
this empty lot, the rear of these buildings face right on
more brick buildings, okay. There's this........ essentially
I've had a plain roof, and then in the background here,......
like you could see, you know, overlooking the building you could
see...... building in rear... alleyway.... and then here again is
another building.... and, this is like a..just a narrow, little
service. Not even a service alley. Just a, almost back-to-
back. You could probably walk through there sideways. It's
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#10.5: just a small crack. This is building, okay. Uh...
#14: That's drawing number 3.
#10.5: This is three.
#14: Uh, can you do a quick and dirty of the inside...the interior?
#10 Yeah, yeah. Uh, you want an over...do you want an overview
or do you want a perspective?
#14: Why don't we do an overview. It would be a lot simplier.
Uh, why don't we do an overview. And, in fact, make it small
enough, if you can, to put in, do you remember when I asked
you to go above, make. an overview of the, the area too.
#10.5: Okay.
#14: If you can, and then a cutaway of his flat.
#10.5: Okay. There is, uh, yeah, another thing (cough)..... Okay,
the best place to start then, I guess, is with the street, and
I'll have to put the street ........... um, maybe I ought to....
I'll do a, I'd like to do a blow-up here, or something of the
actual room itself, because I'm afraid I'm not going to have
enough room.
#14: Okay, well you can do it on a separate..uh.....
#10.5: Everything's split.....kitchen..... that's a k there, k, bah...
uh.....living, bedroom, lot...the other buildings come right
out, like this, and there's another building right next door
to it, too. I had the feeling it was the last on the right of
a la-of a line of buildings, okay, but for some reason there was
this. little empty lot at the end of the block. Over here....
is another lot opened feeling. Right overlooking that. is a
billboard, and is painted on, or mounted on the side of this
building that faces the lot. And, this is going to be weird,
I. know. I don't know if Doctor Pepper is Germany yet, but it
is billboard (laugh) of, billboard of someone drinking, okay.
And, very spontaneously I thought of Doctor Pepper, and then
I was wondering what they'd call it. Like is it artzed(phonetic)
pepper, something. like that. So, I'll write that in. The
Doctor Pepper is a maybe, but the definite feeling of,L like this
big, you know, just a quick, but. definite, and then here is
another building face, and then more buildings down this way.
Now, the reason I've drawn this way is because I can put in
the feeling of, also during the session, I had the feeling
of, you know, I've been to Cologne, and I had the feeling of
like the coldness or dome, and, and then I was thinking of
Munich, and, but the, definitely when I, when you put me up
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#10.5: in the air about 500 feet, had me look around, the first
thing I thought of was a twin towered, twin fronted classic
gothic Ftnhe(phonetic), okay, you know, the old...
the thing, and the azimuth of that is like ........ umm....
and the feeling of the boxiness on the back end of it. It
looks that way at the arrow, okay, that's the front........
and, nothing is a straight angle here. You notice the
arrows to the pl-to the cathedral feeling are off of the
intersection slidhtly, and in the same sense the back, uh,
the angles of the church do not coincide and point
directly to this area. They're each off a little bit.
And, I had the. feeling that...city, center, the other large
build-because I had this Munich override and everything....
the other large building that I had, uh, I perceived was
the, uh, in. this direction, was the city center, Rathaus
Right there on the end of the mall, okay. And, this was
about-y- What did I say? This was. about a quarter, uh, quarter
and a half, wuarter of a mile, and this was only, maybe 500.
Of course, 500 yards is a quarter of a mile. Isn't it?
It's about 500 miles, quarter of a mile. Okay, now here, on
the right side of 4 I'll do you an overhead of the actual
apartment feeling, okay.
Okay. Apartment is layed out like this....with the bed feeling
here, this is the hallway. I had the feeling I was in the
second door down, okay. This is entrance, and here's another
apartment of unknown design. This is what I'll call first on
right, okay, and. this is the second on right. And, here was
the bathroom, corrode, toilette, and this was a kitchenette,
hot plate, kitchenette level. Not much in it. There is
something that hangs here, partition, something that pro-
doesn't hang, it protrudes from the wall. So that from the
bed, I could not look through into the kitchen. I had to drift
over here and look into the kitchen. Now, my perspective of
observation was here .....dresser..uh..the word-at this point
in the session, the-word, sigh) .... there is something against
this wall which is big and very German, and very blocky, and
good solid wood. Like a writing desk. It's about waist-high
sandy color. At this, in this session the word plans came
into mind. You'll have to .figure .out by reviewing the trans-
cript, Mr. Analyst, whether this was before or after I had
already been asked about hiding things. At, at the time that
I was in the apartment the first time looking around, and
describing it, the word plans, huh,.........................
What's that? .......... okay. And, that's about it. It's a
very small...the thing was not more than ...maximum 20 feet
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#10.5: Okay. Anyway, as I was in the, as I was on the bed, like
tucked back in the corner of the bed, looking this way
across the room, and right across the room from me was this
um, desk thing, waist high, light sandy color, and the lower
right hand quadrant of it, down near the floor, the word
plans occurred to me, like,ah, um, nice little hiding place,
or something like that, you know. Okay. And, this hallway
does go on farther. I seem to have written upside down in
every direction on this sketch by turning it around. Okay,
that's four.
That's four.
#14: Okay.
#10.5: What's the next (mumble).
#14: The next thing I want you to do, I'm going to save the
hardest for last, next thing I want you to do is to draw, as
best you can this device that you came across.
#10.5: Okay.
#14: Would you like a triangle?
#10.5: No. I can use this here, cassette box. All I need is just
to make straight lines. I don't need.....I'm not going to be
so detailed as to.... It's, the thing reminded me of a TR-30
calculator, but it's slid tly bigger in proportions than that.
Yeah, this would be drawing five. But, it's like slightly
bigger, and.....it's has a, this is an over-this is just a
top view ...... I'll do a side view.....very, really, it was quite
very, very reminiscent of a..... TR-30 in hand. calculator, in,
in just in this general layout, and I was just getting this black
plastic slash metallic feeling..no wheel .... you're going to have
to change that.
#14: Yeah, I'm going to change the tape at this time.
#10.5: Better do it. now.
#14: Okay. At this time we are continuing on fide C of this tape.
#10.5: It had several rows of like punch buttons on it. I'm trying
to do this as neat as I can, uh, but without going to all
sorts of really technical detail that I don't feel justified
in doing....ah....okay, and, the only thing other, other that
was on it was some sort of a long linear blackness on the
bottom of it. Like a punch bar or a, some sort of a unusual
bar for a calculator to have. Black...bar, okay, and this
was black face, umm, plastic or metallic face. This was the
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#10.5: plug in. I'll call it the dash plug in because this feeling
that this thing,had something to do with avionics(phonetic)
this feeling that, ah,you know, this thing got plugged into
something that was like a dash board that people sat in front
of; one or two people. All right, and this was like a screen
.....some sort of a, what do they call that, you know, on
a calculator, like a calculator screen. Okay. I'll just do
a side view here.May be that big on one end. There was some
sort of taperiness to it but not very much. Like that. That's
about the dimen-this is just the side view. I didn't see
anything on the side. I just had this general overall feeling
of a- Okay. And, this once again is the dash plug in side...
is here on the left. It's set up here on sketch five. So,
it matches .I'll write it there just to be safe. Okay. That's
sketch five.
#14: Okay. Umm sketch six....what we need.....
#10.5: And, I'll write on this just about to scale.
#14: We need now is a layout of this, of the location where you
found.....
#10.5: ..wrapped in the bag.
#14: ...the bag, the satchel.
#10.5: Okay. I can do that. This is where I would like to mention
an incongruity in the session that I recognize which is really
peculiar to me. Because of my background I would never take
something like that and rely on a public area to drop it in.
I might do that overni cht 24-hour period. I would not do that
for the apparent length of time this thing is going to stay
in there, because of the time frames in the late part of the
session that I tried to work this time calibration thing....
this thing was put in there about a day or two ago, and is
going to stay there longer than fifteen more days. To me
that's poor modus operandi. Okay. Because it's in an un-
secure place. I mean, it's in a secure place, but you don't
control it. All right.Uh, okay, here we go.
I'll draw you my perspective, and then I'll draw you the
actual way it looked when I went back across the hall and
looked at it. Okay. Because there's a combined number of
about three, three views that I got here.
#14: I'm going to go to the bathroom. Feel free to talk to
yourself.
#10.5: Sure. Ha, ha, ha.
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#10.5: Okay. I have a, I have a perspective here of the front
facing of a classical bank. What I'll call is a bank of
lockers. Bank of wall lockers. Umm, at the end of this
bank is a wing, and out here is the hallway having wide,
panaramic views, windows I guess you'd call it. Umm....
I wonder why I took drafting in high school. Okay.
These are windows. These windows do not look out at the
sides of buildings. These windows look-out at a horizon.
It's open area. This is the corridor which is white speckled.
Like terrazo. And, this here, on the right side of this
thing where this bank of wall lockers are is this, ah,.....
well, how would I draw this. Okay. I know how I'll draw
this. I'll draw this very neatly using a dotted line as
though I'm looking through it. Okay. This is a protruding
partition, solid cement type. Okay. That's at one end.
And, this is a solid cement protruding partition in foreground.
Okay. Now, for the last one. Sketch seven.
And this is what she looks like. About man high. Let's
say as tall as a tall man's head. They didn't-the bank of
lockers did not go all the way up to the ceiling. And, of
course, they protruded from the wall like this.
#14: You mentioned a large sum of money.
#10.5: Yes.
#14: Where is the stuff(phonetic)? Did you happen to notice what
type this is or......
#10.5: Yeah. They were two hundred and fifty mark (cough).
That's real weird. Isn't it. I had, you know, I said,
oh, there's this stack of stuff, and they're all wrapped
up and I said, they're not, they're not deep green like
American money, and they're bigger than American money, and
they have funny white borders around them. Okay. ..., The
predominant tone of the note is a pale nature grass green
okay, and I think if you look at a two fifty mark note, the
predominant color of that note is a, is a grass green, you
know. A yellow green. All right. There are about four tiers.
And, I cannot tell you if they're all the same size or not.
I'm going to draw them all the same size. I don't know if
they're big on the bottom or little on the bottom or what.
So, I'm going to do regular old four straight across. Bear
with me. Okay, ah, I dropped back, I went to the other
side of the corridor, and I looked back at this bank of
lockers, and I had the feeling that the one in which I was
going to was the one with the X on it, and I think I said
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#10.5: two down and two in from the right side. Ah, and the, ah,
you know, and here I am, you know, it's a cla- you know,
this is the things that are going through my head, I'm
sitting there looking at the front of this locker, and saying,
God, I can't believe this guy.'s dumb enough to put this
thing in a keyed lock, and I, I looked and all of a sudden
I understand why there's more numbers than just two or three.
Is there's a four position dial combination lock on the front
of the locker, okay. It is one of these numbers. You know,
instead of the classic reynold lock ..... like you have here
in the states..... okay. It's a four position ...........
four position, what do you call that thing, like you'd find
on a little briefcase, rolling wheel combination, oops not
not compination, combination........That's on faces of all
lockers, okay.
#14: Okay. Now, for the analyst, we'll have to keep in mind that
mirror imaging does at time take place.
#10.5: Oh, sure, yeah.
#14: So, this location could actually be, ah, two down and two
over from, ah the left.
#10.5: Okay. About the only other thing that I can think of might
help is the, ah, tail of that aircraft.
#14: You described as a white tail with a blue circle and spider-
web type lines in the circle.
#10.5: Ah, ah, Okay. The first thing, now,. two things happened
here. I'm sitting here looking at this white tail, I'm saying
God-you know, I've got to figure out some way to identify this
aircraft, because that might help time. These guys are going
to get away with the goods, unless I can, peg them down, okay,
and I saw this tail, white, with one, two, something or other.
I forget what I said, one two, one-twenty-nine, one twenty-eight.
Now, I don't think, necessarily that that one twenty-eight is
clearly and blazened on the tail. That might be somewhere
else on the aircraft, and I was just looking at the tail, okay,
when the numbers one twenty, whatever it was came in. Then
as I am sitting there pondering these, this three digit number,
you know, why did I get this one twenty, yeah, one,two,eight,
okay, as I'm sitting there pondering number, and I still
had the image of the tail with this spike on the top of it, like
this, ah.....I had this, ah, okay, right in-like coming right
behind these numbers that I was looking at, was this dark,
darkish circle on the aircraft that had, you know, the-well,
I can, now, I, I think that's PANAM, PANAM's emblem.........
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#10.5: ...okay, of thb, ah, the blue, the blue sphere with the
longitude and latitude lines overlayed on it. And, this
is a darkish circle with, believe it or not, white lines.....
overlayed, okay.
#14: Okay. That's it. End of session.
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TAB
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07 : CIA-RDP9900788R000500310001-3
 NO.
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 Approved For Release 2000/08/07 :
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TAB
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 Approved For Release 20
TARGET CUING INFORMATION
6-00788R000500310001-3
REMOTE VIEWING (RV) SESSION D-76
SG1A
SG1A 1. (S/NOFORN) At the start of this session the remote viewer was shown the
^
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n
2. (S/NOFORN) The remote viewer was asked to locate
describe his surroundings.
SG1A
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NOT RELEASABLE TO FOREIGN NATIONALS
 SG1A
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