INSCOM GRILL FLAME PROGRAM SESSION REPORT

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000600370001-6
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 16
• Document Creation Date: November 4, 2016
• Document Release Date: March 27, 2000
• Sequence Number: 1
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY:MSG,DAMI-ISH
DATED: 051630ZJUL78
NOT RELEASABLE TO FUUULWTIONALS REVIEW ON: (~ col
Tl
IN" I
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-24
1. (S/NOFORN) This report documents a remote viewing session conducted in
com liance with 'a request for information concerning SG1A
SG1A
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (5),,undated.
4. (S/NOFORN) Following is a transcript of.the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing infor-
mation provided the remote viewer.
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TRANSCRIPT
TIME
REMOTE.VIEWING (RV) SESSION DCC-24
#66: This will be.a remote viewing session for 1000 hours,
9 April 1981.
SG1A
This is a pre-session briefing to the remote viewer. -
Todays target will be an area of interest which you have explored
successfully previously. We're interested today in an
individual whose picture I_am now showing you. Name of
You've been able to successfully describe.porzaons ui ii-L
work. We wish today to access him today at work, find
out some more about what.he does at work ...find.out some
more about him.. I have a couple of following questions
that I will be addressing with you during the session.
Do you have any questions about todays target?
#10.5: No.
#66: You now have 25 minutes to prepare yourself for this session.
1000 SG1A Relax now, relax and concentrate. Relax and focus your
attention on whose picture I
have shown you,-and who you know well by his time. SG1A
SG1A Focus on ~at the
present time at work, an aescribe his work activity to me.
+06 #10.5: Okay, I'm.........???????? I have some funny rod like appar-
atus.on his desk... horizontal rods, like a framework of.some
kind...that collapses.. The rods are.like pencil. size, and
they're..appear to be a light metal... That's a...some-
thing is done with. these rods, like a mark is made or a...
something is assembled with these rods. They're.-looking
over his shoulder...
+08 I mimic, I mimic, I make.?..he makes false things. Has to do
with mimicking something.. Like the data he works on is..
mimicked or........ He has sheets of paper on his desk,
and he thumbs through 'em.
#66: That's good. Continue with just describing his activity.
#10.5: But like he has...
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#66: It's not necessary for you to figure out what he. does, just
continue to let this activity impression flow out......
#10.5: Like thumbs.through the sheets of paper, like a. sorting
action, or a searching action. He has a ............. I see
him, um....all he does is he looks through, he leafs through
and he like selects one or two,.a.ndthe remainder he hands
behind him in the row. These, uh, are not full size sheets
of paper. They're sub-size.sheets of peper, as though they
+12 are a special paper. Like a.sub-sized, under-sized, receipt.
But. they're not a receipt,.but it's like a memo paper..
Maybe only seven, six and a half inches across the top.
#66: That's fine.
#10.5: And they're nearly.square, like...square in shape... And
what is on these papers is not figures,. it is writing. I
keep getting the feeling of dispatches...excerpts...
#66: Concerning his work, focusing on his work, you stated in a
previous session, and I quote works of information unquote,
receives material then portions it out, close quote.
Elaborate on this for me.
#10.5: (Mumble)..volumes and volumes of data incoming. This.feeling
+14 of a public, publicly available nature of this information,
but it's a monitoring done by a.government activity. It
+15 comes in.on short forms, which are brought in to him........
I say draw me a picture of what it is you're concerned with...
Some reason I got the feeling of ships, specifically sub-
+16 marines... I don'.t know why I got.that..... Let me ask
again. I had a earlier feeling that this is like the, uh,
our, uh, oh, I can't remember the. name of it. Our news,
world-wide news monitoring agency. I forget what it is.
#66: Okay. I'm prepared to change your focus when you're ready.
#10.5: Okay.
SG1A
#66: Focusin now. on solely and completely on him, the
S G1A man Focusing closer and closer...and closer.
Describe his distinguishing personality traits to me. As
you come to know him what kind of a guy is he?
+19 #10.5: I'm getting.a feeling of like an impatience and a boredom.
He's preoccupied with something. Some major decision re-
garding whether he's going to or not going to do something.
I see the nervous tapping of his pencil.in.his right hand.
I'm looking down from his eyes and he's..... He has a...
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+22 #10.5: Sort of a up-startish. He's rather quick and egocentric.
He's number one...Negative side of..his personality. He's
like a young-ego...he's good at what he does and he knows
it and-he's, uh, got that self.-centered side to the coin
about him. He's sort of infatuated with himself in that.
sense. His negative. side is that he is,-you know, like
whippish, snippish.... Person is very sure of himself, self-
centered. I.have a.feeling he is sort of young for his posi-
tion, and that he has excelled and has-been rewarded and
rapid promotions. And he has that impatience of an ex- out-
standing-performer. I'm feeling that he doesn't really like
his job but it's a necessary step in his progression and
that it really-bores him. He'd rather-be doing some other
thing more exciting. Keeping-this nervous tap-tap-tap of the
pencil on the table next..his hand......
#66: Describe his personal motivation behind this displayed drive...
#10.5: Earlier I had this thing that he was impatient about was this
+24 feeling of whether he should just quit at all. because it's,
uh, not worth it. Like should he.cash it in because he's
obviously boring himself. That was earlier. The thing that
he-was contemplating and pre-occupied about was the momentary
frustration of............ Says he's good... He just has
+25 the drive and motivation of a person who's good at what he
does.
#66: Okay. I'm ready to change your focus when you're ready...
#10.5: I don't believe his motivation is.anything other than the
fact that he's found something that he's good. at and he's
going to do it. I'm not getting any higher abstract...
national patriotism of anything like that, money or anything
like that. It's simply. that he is good at what he has
found himself doing and...that's that.
#66: Very good.......
#10.5: Okay. SG1A
#66: Move in time now on ear from toda move in time year
from today. Locate
today, and describe his surroundings to me.
+29 #10.5: I.see a,.um..... something on the right that is......like a
marble mantelpiece, but I'm outside... Like a fireplace
mantel. It's.got the different ridges.and the bumps in it,
the grooves-, and then the grooves are all lengthwise and
long....
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SG1A
#66: Okay.. Now one year from today describe.for m
work activity.: Focus one year from today on
work activity.
#10.5: I'm not_gettin' anything.. Gettin' all sorts of weird...
macro, uh...not even ideas, they're abstracts. It's like
I'm flipping through the yellow Pages, I'm getting'a shopping
list of stuff which is irrelevant. It's just that.I'm,
I've got the screen turned on and I'm just lookin'...........
#66: Okay.
#10.5: Big_roundnesses and big squares and big tree trunk type
+32 column, natural collanades.... I don't thing the guy's gonna
be around.
#66: What is it that makes you say this?
#10.5: When you first asked me to go a year from now I had a, the
thing.with.the marble type fireplace mantelpiece and outdoor-
ness and everything. I felt as though he was.dead and I.was
in a cemetary because-there was a feeling of a grassy blanket
outside and rectangular hole in it-that was at a cock-eyed
angle. I didn't know what it was at first until I laid
it down. I didn't know what the hell that was. And then
I saw the marble thing. That was at a weird angle on the
right side. I thought it was a fireplace mantel piece and
then.I began to realize that it was a mausoleum type face-
ment...is what it could've- another thing it could've been.
#66: Let me, uh, give you a little bit of information and then
we'll go for the work environment again at one year. There
is a possibility that in this man's life that a death will
occur in his family, but not to him, to someone else. As
his life is developing now.it looks like maybe there will
be someone close to him that dies. So perhaps we did get
him a year from now, visiting the grave of this dead one.
So let's go and mo e away from that perception of a year
+34 from now knowing that this maybe heavy on his mind and move
to his work.:environment one year from now.
PAUSE
#10.5: Some sort of a, uh ..............my normal concentration is long
since gone.
#66: Do you have any ending comments about your perceptions?
#10.5: Oh, feeling of a metro street, low, not tall office buildings,
but three, four story office buildings around. That's all.
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#66: Okay, fine. Remember now everything. that you've seen so
that you can draw it for me. Go ahead and move your arms,
move your legs, and let's prepare to draw the perceptions
you've had.
#10.5: All right. Um...he receives. sheets of undersized paper
stacked as though they are radio intercept traffic type sheets,
small..telegram.size. You know what a telegram looks like
when it comes out from Western Union? It's somethin' that's
like that.
#66: This is what you perceive to be the activity surroundings his
work?
#10.5: Mm-hmm.
#66: That you've drawn in number one?
#10.5: Yeah. And he.reeeives these things in stacks. And he sh-
he leafs through them. He dogears them, he looks at them.
And he might pull one or two out and he hands it back to
the guys behind him. They go through it.. I had the idea-
I couldn't figure out why I had.this idea, but when I.asked
what the stuff was about that was in these sheets I had the
feeling that they were very, very similar in gestalt to our...
uh, what do they call it? The..FBIS...FBIS, F-B-I-S, the
broadcast information, Federal Broadcast Information Service.
They monitor tra- they-monitor public radio, and news as
well, anything that's broadcast information. World-wide,
and they put out little summaries by.geographic area. And
you can get these things, if you're the desk officer-for
Latin America they get you the FBIS for Latin America.
Everything. All, everything that's on the radio. Okay.
Uh, it was like that. It was like, it was concerned with
public, publicly transmitted information that he was getting
these extracts on. And that his area of this.publicly trans-
mitted information, which this little organization monitored
and extracted, had to do with water and submarines. God
knows where I got that from. But it was like I had things,
feelings like maritime monitoring, you know. Uh, the wher.e-
abouts.of ships. Not transmitted by the ships on short wave,
but. transmitted maybe by maritime shipping agencies in the
clear. You know, like today the SS so-and-so departs Hong
Kong at.2700 hours. Okay. That type of thing. But some-
where submarines played in there. Before that, when I first
started the session I had the feeling that the in- the acti-
vity that he was involved in had to do with some sort of
mimicry. I.cannot- like. disinformation mimicry maybe. Like
taking a real broadcast and twisting it around. Something
maybe like that. Changing the information around so that
it is a mimicry of the original, but it is in fact an arti-.
ficially.different thing.than the original one that he gets.
That's about all I can say about that.
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#10.5: Sketch one sorta goes with this as it's sort of a.sketch
of the edge of his, his desk top as seen.from him. This
funny-rod shaped thing on his.desk. I have no..idea what
it.is. It could be vertical and be a paper divider or it
could be horizontal and be a paper puncher. I don't know.
But.it's got these rods in it and everything. That's sketch
one. In box, sheefs of paper. Okay.
His. personality... I didn't have a good session.at all today.
I had the feeling that he was here because, tie was in this job
because it was time for him to do this job and it was a.pro-
motion. It was career enhancement, but boring as-hell and
not really the stuff that he really liked to do but he had
to do it. For a year or couple years. And then once again he'd
be able to do the thing that he really liked to do. Now
within that, not liking the job so much, there is the whole
idea.of his career,.which he enjoys, which he is a profes-
sional, which he really likes his career. It's sorta like a,
you know,. one ofus.having to go take a.staff job for two or
three years. You have to do it, but you. don't really like it,
you'd rather be out in the field running background investi-
gations. But you have to come into the staff, you have to
do your thing, get your ticket punched, and then you can go back
out and do what you really like to do about your work.
Well,.that's sort of the situation that he's in..... And his
motivation is the fact, his motivation is rather- I don't
know if I'.m overlaying my own, but his motivation is essen-
tially that this is his job and-by god he's gonna be good at
it. And he is good at it. Because he's, you know, not be-
cause he likes anything particularly about it, it's that
he's committed and dedicated himself to perfecting himself
in this area. No big patriotic surges, no big anti-anybody
surges,.or anything like that. It's just like, you know, I
could just as easily be good as a bricklayer. It just so
happens that I picked this area of pub- sort of public ser-
vices to be good at. And so he is good at it. Um.....
Okay. Then you asked me to go to a year in the future. I
was.really-, really coming out of the session by this time and
I was tossin' and turnin'.and everything else, I couldn't
get comfortable. I was havin' a lot of trouble focusing.
When you asked me to go a year in the future I saw, at sort
of a cock-eyed angle, the feeling was to testalticly was an
open grave in a grassy yard, or grassy field. You know,
short, manicured lawn, like a newly opened grave. I had the
feeling that it was carved out. Now there wasn't a pile of
idrt.there or anything like.that. This idea of 'a black hole,
rectangular hole, sketch that in two. And also, sort of on the
right hand side of sketch two is sketch three.
There.was this feeling of this bumpiness like a fireplace
overhang,. mantelpiece, over a fireplace. But the flavor of
it was that this was something to do with like a mausoleum,
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#10.5: and it was outside. It was like a small mausoleum type
structure out in a.cemetary. I had the feeling he- I had
the feeling he...... .And other than that I can't think of
anything more to say. Do you remember anything that I said
that you want me to elaborate on?
#66: No, I think that about covers it.
#10.5: It really was a crummy session today. I was too deep, and-when
whoever it was knocked on the.door, the engineers or whatever
it was that just.brought me out and..... Yeah, that's. all.
I'm looking through your notes from the session. Okay.
Sorry 'bout that.
#66: Okay.
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TAB
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aw
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TAB
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REMOTE VIEWING (RV) SESSION DCC-24
(S/NOFORN) Information provided the remote viewer prior to the session is
documented as a pre-session briefing and is included in the transcript.
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 SG1A
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