TRANSCRIPT REMOTE VIEWING SESSION 905

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700250001-8
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 15
• Document Creation Date: November 4, 2016
• Document Release Date: December 8, 1998
• Sequence Number: 1
• Publication Date: May 18, 1982
• Content Type: SUMMARY

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1. (S/NOFORN) This report documents a remote viewing session
conducted in compliance with a request for information.
2.. (S/NOFORN) The remote viewer's impressions of the target
are provided as raw intelligence data, and as such have not
been subjected to any intermediate analysis, evaluation or
collation. Interpretation and use of the information provided
is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed
in the document GRILL FLAME Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's.
impressions during the remote viewing session.. At TAB A are
drawings and narrative provided by the remote viewer. At
TAB B is target db-krg information furnished the remote viewer.
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#66: This will be a remote viewing session for 0900 hours
18 May.1982. At this time,.I show you a photograph
of a building. This is a target area which you worked
before on a sealed envelope basis. At this. time, I
show you a photograph of the actual target building, in
which we have interest. I have masked off areas on the
photograph which may provide distractions to you. But
the building, itself, in which we have an interest, is
depicted in the rear. Your task will be explore that
building in present time, right now and report on those
items of interest to US Intelligence, be they activities,
people, objects. Do you have any questions pertaining
to your task this morning?
#66: All right. You now have 25 minutes in which to prepare
yourself for this morning's task.
#66: It's time now. to focus your attention solely and
completely on the building in the photograph I've
shown you. Relax, relax and concentrate now on the
building in the photograph I've shown you, in present
time, right now. Explore the building. Free yourself,
allow yourself to be attracted to that portion of the
target of imptance to US Intelligence and describe
your perceptions-.to me.
#01: Many reflections....parts,. parts or pieces of something
electronic...set on the table, many parts, pieces of
electronic, not used, just stored.
#66: Describe this area to me.
#01: Other room, second floor, a window faces front. See
a table with papers on it, like, slant, slant table,
a drafting table.... getting dominant interior colors,
beige, green, tan, green.
#66: Are you alone in this area?
#01: No. I don't see people. They're just not in this
room. This is a temporary office of some kind......
Keep.. seeing small tan colored boxes, with, like
circuit board inserts, trying to make something
from the boxes, but I can't.
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#66: All right. Open your time window 24 hours now and
watch. what happens.in that 24 hours. without understanding
it, just.report what happens in the 24 hour time window.
I will wait.
#01: See one man come and go-many times; 40-43 years of age,
sandy colored hair, heavy set, good dresser. Get a
foreign accent, but speaks English. Like a temporary
storage feeling of some kind, for this electronic
equipment.
#66: Tell me now about this electronic equipment.
#01: Flat.boxes, narrow. One has dials on the front. Dials
are almost as large as the box is high....Don't see
any, don't see anything working, just stacked right on
table. One piece like a cabled or with a umbilical cord,
all different kinds of chip type breadboards, like
micro-processor.
#66: All right. Now before I ask.ouu to open your time
window and describe the activity of that time window,
24 hours, you reported a man coming and going.
#01: He's just bringing In new pieces.
#66: All right. Narrow your time window now-to one of those
specific visits, an important specific visit, a visit
that we can examine and gain information. Narrower and
narrower, Now he is just coming into your room. Slow
your time down to match with him and describe.
#01: Carrying a briefcase to the wall, opening, just putting
new piece on table.
#66: Continue.
#01: Putting papers in some kind of file.
#66: Continue.
#01: That's all he's doing.
#66: Speed time up to the next activity and then report.
#01: Same, thing, different piece, like a collector.
#66: The original entry into the room now, he comes in
and he opens his briefcase, then files something. Now
he is leaving the room. Follow him.
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#01: Get an impression this is a part office, part residence.
He doesn't live here. He lives in a different building.
#66: Break that out for me.
#01: Not enough furniture, place is missing furniture. It's
like partially furnished, mostly office type furniture.
#66: Okay. Describe his activity now.
#01: He leaves. , R .
#66: Follow.
#01: ,goes to a larger building, like a many story apartment.
That's his residence. Just showers, changes clothes.
#66: All right. Stop. Return to the target building. Now,
the time window of 1 week, this past week. Describe the
most critical, significant happening in the target area,
this last week.
#01: I have a short man, black hair, fifties, comes in with a
light leather box. Takes three,;four electronic pieces and,
puts them in the box with the files and leaves.. It seems
to be a very important type person. He has a large car.
#66: Describe the make of the car.
#01: I don't know. It's just large, black, keep wanting to say
its driven by a chauffeur, I don't know why.
#66: All right. Now that you are outside with the car, look
back at the building and describe for me, from here, how
can I best find this area with the electronic equipment?
#01: Go in center door to second floor landing-It's right door
to the rear. Impression of a large brown door with like
numbers 216, 218-or something. 216, large brown door type
crown, heavy metal frame, some.kind of cream colored stone
work. Again, I'm wanting.to put.a business plaque or
something on the door, but not sure if it's really there.
#66: If it were there, read it to me.
#01: I don't know.
#66: All right. I have no further questions. It.is time now
for you to expand beyond the confines of my questions and
address the target area in a manner that only you can achieve.
Do this now and I will wait.
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#01: I. keep getting a feeling like it's a residence, not
furnished, only business furniture, half empty, no
one lives there; they just visit. That these processing
electronic parts aren't whole, theyz're just pieces.
That's all I get.
#66: All right. Focus now through time and space to the sound of
my voice in the present time here in the room. Listen,
touch, feel and sense all that is. in the room here, in
present time. Move.your arms, move your legs. Take
a few deep breaths and let's prepare to draw those perceptions
which you have had.
See drawings At TAB A
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TAB
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #905
#01: Okay. Now we'll start to debrief on the pictures here.
Page #1 is a floor plan of a section of the building
that I perceived to be the center entrance, we'll call
it. Going up the stairs to the second floor landing,
from outside in.the center entrance, the second door
to the right, label #2 is the entrance to the area where
this electronic stuff is. As you come in there is two
errpty rooms with some kind of divider wall, and I get an
impression, like these two rooms are completely. empty,
for some reason, like they're not furnished. But in the
back room, there is small room with two windows in
which there's a tilted table, like an engineer's drafting
table, with a chair, a double filing cabinet and then a
table over against the wall by the windows. And on the
table is the electronic components or whatnot.
#66: Can I ask questions about drawing #1?
#01: Okay.
#66: You spent a great deal of time during the session making
statements about a residence, but not really a residence,
more of an office. And now you say these rooms are not
furnished, that they are empty.
#01: Right.
#66: Am I correct in assuming from your statements that it is
your ppinion that, if they were furnished, you would
more likely find them furnished as a residence or an
apartment?
#01: I'm not sure.
#66: If I walk into the telephone building, C&P Telephone
downtown, I don't expect to find someone's apartment.
#01: Right.
#66: I mean, I don't expect to find them living there.
#01: I get a feeling like this is a joint use building. It
might be partially resident, partially small office
building or small office type arrangements.
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#66: Okay.
#01: That it could be either, depending on what their
function is at the time, sort of like a suite of
rooms.
#66: Okay.
#01: In this one, I'm not quite sure, I don't know, I get
a mix of residence.and business. And this particular
case, I don't get a full either, it sort like it's
a temporary type thing. And it's predominently empty,
and the one furnished room is a very business like
type room, but that is minimally furnished. And the
predominent things in the room are this tilted table,
file cabinets, and the electronics table. And all.
the electronics on this table, they are not assembled
in anything, they are just parts of pieces of something
or other. I don't know what the something or other is.
#01: On Page #2, I give examples of what I'm talking about.
There's like casings th t are light tan, made of metal,
that have like IC brea oards inserted in them. And
then, the only thing that is identifiable is an actual
device of any kind, is a flat case, that has knobs, like
tuning type knobs that are about the same size as it is
thick. And then it has a.row:of_toggle_ switches and_o
some holes and an--on/off switch and some wires coming
out the back. And writing, instead of being on the front,
is on the top edge, and goes down the top edge. And
this is probably an inch and a half high to six inches
deep by eight to ten inches wide. It's also light
tan and made of metal. Everything is light tan and
made of metal. You know, I felt like it was all like
common origin., but not put together. The carrying case,
I drew an,example of the carrying case. Is like made
out of a real hard leather and the top opens up and there
is compartments in the elements or slip for
carrying. I don't think this is any kind of an
assembly case, but it is a carrying case of some kind.
#66: Okay. Again, I ask the question that seems to be
somewhat obvious. As to the..function of this electronic
equipment, apparently you have no perception as to what
the function of this equipment is.
#01: No. I don't, I don't get a.feeling for a wholeness,.
I.get a feeeling for parts and pieces. And not related
parts and pieces, unrelated parts and pieces. I get
a feeling of a temporariness abput, abut the parts and
pieces, even.
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#66: Okay.
#01: I also get a feeling like there's something not right
to the target. I don't, you know you asked me, what's
of interest to USI in the building and it's sort of like,
I don't know, it could be the whole building is of
interest. But that's not precisely it. I don't know
what is wrong with the target, you know, it's just a
gut feeling that there is something wrong with the
target and I don't know what it is. But I get a very
clear impression of these two individuals, who don't
spend a lot, probably don't spend any time at all
together, that have a commom interest in these electronic
parts and they're coming and going.
#66: This is the one who goes to another building, where his
apartment is and the different one, the one with the
car?
#01: Right. The other guy is more, I don't know if you can
say it that way, more important than the younger guy.
That's an improper way of saying it. He has more
authority, I guess.
#66: Okay. When you followed the younger guy to his apartment,
are we talking about a great distance from this area?
#01: No. We're talking about walking distance, four blocks,
possibly.
#66: Okay. So he goes---
#01: He doesn't drive there, he walks there.
#66: ---he goes from this area to a nearby building, where
he has his apartment?
#01: Right. Right
#66: Okay.
#01: But the older.guy has to drive there, and I get a feeling'.
l.ke,I kept wanting to say this is a chauffeur driven
car he.was in, but perhaps it didn't have the chauffeur
in it at that particular time.
#66: okay.
#01: That's all I got.
#66: All right, fine.
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#01: Okay. The very first thing, that I said in the session,
I want to clarify and make a part of this wrap-up. We'll
call it page.#3. The first thing I said, was many
reflections and I had an impression of what I've drawn on
page #3, with this mass of multi-color reflections.in the
center. And I think that that's really important and
I don't know why, but I just do. This may be what all of
these components are part of or something. This is an
impression I had the first of the session.
#66: This is a visual impression, you have nothing else to add
aobut what this does?
#01: I don't have anything else to add. That's just a stark
visualization that I have of this.
#66: At the very beginning of the session?
#01: Right, first thing in the session, was this claw like
apparatus, of all kinds of multi-color refections in the
center.
#66: Okay, fine.
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TAB
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