TRANSCRIPT REMOTE VIEWING SESSION #926

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000700340001-8
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 13
• Document Creation Date: November 4, 2016
• Document Release Date: June 16, 1998
• Sequence Number: 1
• Publication Date: June 17, 1982
• Content Type: REPORT

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INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG,DAMI-ISH
DATED: O5163OZJUL&*
REVIEW ON:-jtA%.
NOT RELEASABLE TO FOREIGN NATIONALS a-el--d-
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1. (S/NOFORN) This report documents a remote viewing session conducted
in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target~.are
provided as raw intelligence data,-and as such have not been subjected
to any intermediate analysis, .evaluation or collation. Interpretation
and use of the information provided is the responsibility of the requester.
3. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings and narrative
provided by the remote viewer. Target cuing information was a sealed
envelope containing one photograph. At TAB B is the photograph
which was in the envelope and shown to the remote viewer after the session.
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REMOTE VIEWING SESSION #926
#66: This will be a remote viewing session for 0900 hours
17 June 1982. Following .is a prersession briefing to
the remote viewer. At this time I provide you with an
envelope which conceals a photo,t(graph inside, which is a
photograph of a'building. Your task this morning will
be to describe the target building, its-interior, the
the activity within the building, the nature of the activity
taking place in that building. Do you have any questions
pertaining to the task set forth this morning?
#66: All right, fine. Let's prepare then for this morning's
remote viewing session. Relax and concentrate, now.
Relax and focus your attention solely and completely on
the building in the envelope I provided you. Focus in
present time, right now, on the building and describe this
target to me.
#08: It's a white bluish stone.
#66: Describe the size of the building.
#08: Emphasis on the strength of the stone blocks. It looks like it has
the strength and the durability of an old..European
church. There's a....considerable feeling of Weight.on the roof.
#66: Describe the size of the building.
#08: It's t.he,equivalent of: three stories.
#66: Describe the entrance to this building.
#08: (mumble) cement steps and hand rails, that come up to the
entrance of the building.
#66: Go in through the entrance and describe.
#08: Have a lot of plate glass on the first floor of building,
on the first floor---
#66: Stand, go on.
#08: ---and.there's a hollowness,; feeling, a void, like in
terminal, its public building like terminal, airline,
a railroad station or church or something hollow.
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#66: Okay, describe this area just inside the entrance.
#08: It's just like---
#66: Excuse me, don't tell me what it's like, describe what
you perceive.
#08: All right. There's a desk diagonally to the left, like a
ticket.desk,.and there are stairs next to it, stairs that
are leading up to a gallery type.
#66: Okay. Don't go up, stay down, tell me more about, right in
front of you. What do you mean by ticket desk?
#08: Ticket, ticket counter or business counter.
#66: Okay, it's a high counter as opposed to a low business desk.
#08: Yes, yes.
#66: Okay now, very carefully, very carefully look at the area,
and don't-tell me what it's like, tell me what you perceive.
Right now... Now are you alone in this area?
#08: Say again.
#66: Are you alone in this area?
#08: Just the lady at the counter, that's'all.
#66: Describe what she's doing.
#08: She is a secretarial.type...She's wearing a brown, brown
business suit, with a yellow shirt that's associated with
a company, represents it.
#66: Stand behind this person, stand behind this person and look
out and away into the area inside the entrance and describe.
#08: A lobby, a lobby. Ther_e's.a hall like tile on floor, directly
in front of .her,. glass plate wind air ~.~:: some gold
lettering, and a glass.door, (mumble), lobby seems extended
right and left, circular front.
#66: All right. Any other personnel in this area, this
immediate area?
#08: Not in immediate area.. Like they're not personnel. It has
an international,(mumble); people, the people having
specific national interests, people are of different countries,
having a distinct.national interest..., if this perception's
correct, (mumble).. And the woman, business representative,
foreign relations business representatives, foreign
relations, business representative of foreign countries.
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#66: In this area, just inside the entrance here, at the counter,
I want you. to watch today as someone comes into this area,
and describe the activity of this 'person, as he comes into
this area. What he does. Watch him come through the door,
and then tell me precisely what happens as he comes through
the door and what is he doing?
#08: A bald.headed man with a goatee, with an umbrella and a
raincoat on his arm, approaches the counter, gives her something..
its red...And she in turn gives him... an envelope and
newspaper, and I see small envelopes.
#66: And what happens then?
#08: No,!.s..takin.g .off and -goep up stairs.
#66: All right. I.have no further questions concerning the target.
However, I owuld like you.to take a few moments now and
focus on the target here and report beyond the confines of
my questions.
#08: That's it.
#66: All right. Remembering now, perfectly, clearly and precisely
all that you perceived pursuing the target, yet's prepare
to draw.
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#08: Okay, sketch #1, which I've entitled.a white stone faced
building. First impression of one was of very solid,
heavy building made of white blu 'ibh stone, very, very
heavy. Somewhat like an old European church I've mentioned.
Second impression was that it was like a railroad station,
because of the hollowness that I found within the building.
And the last impression, because of the activity that took
place, which I described,. between a man and woman was alrlost
that of a hotel, so it changed perceptively during the session.
Do you want me to describe anything?
#66: Okay, the entrance is some glass doors, I guess?
#08: Yes, glass doors, I saw handrails with a.series of steps
leading to the glass doors as a predominance of glass
plated windows,which constitues, what I call the lobby
of the area. There was throughout the,
#66: Let's move. over to drawing #2, now.
#08: --Yea, this is where things took a turn, literally. Drawing
#2 which I've entitled lobby and the entrance perspectives.
And-: h is.entire atmosphere had a perception of.curviness
to the entire thing. The gallery or walkway was also curved.
As soon as one made his way through the entrance and
perceived the lobby to the right or left, I also had a
perception of a slight curve in the structural of the
interior of the building. My attention was focused on
the desk with this lady, as I described on the tape,
sort of receptionist, business type lady, with business
type clothes. Next to the lady, I noticed a wrought iron
walkway or steps, that led to a gallery, with another
walkway there, and I didn't explore any further. There
seemed to be rooms in the background, but I'm not too sure.
#66: By gallery, you mean if I stood on this upper part, I could
look down over this lobby?
#08: Yes, yes, the hollowness of the interior of the building
persisted.---
#66: Okay.
#08: --In that portion of it anyway.
#66: If I understand the major components then of drawing #2,
you have put entrance way of glass doors, a counter or desk,
where this lady is there, an open feeling, a roundness and
a stairway.
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#08: Yes. The lobby is about 10 feet wide, 10 or 12 feet wide,
and whoever comes in there head %directly and automatically
to that main counter, does whatever business they have to-do.
#66: Okay. I asked you to watch somebody come in and what happened?
#08: Yes.
#66: Explain again to me what you preceived happened?
#08: Very specifically, I latched on to bald headed man with a
goatee, carrying an umbrella in his left hand and a raincoat
draped over his left hand, all in dark colors. He went to
the, I will label now, the receptionist at the main counter,
handed over a red, what I would call a chit, like you would
give in a hotel with some writing on it. I was.trying to
determine if it had a key, which would give me...a clue. if
I was really in a hotel or not. I'm not sure whether it
was a key, but there was something attached to it. It
was not a red, red chit, it was more like a maroon, purplish
type chit.
#66: Okay, he enters and he gives something,, the color of which
may be maroon, to this gal.
#08: Yes, she takes it, she took the chit, she turned around,
reached into a pigeonholed type box, and again this all of
this, and s11 of a sudden I said, "My God, may be in a hotel" and
gave that individual a brown envelope,ia newspaper, and three
smaller envelopes, at which time the man walked away from
the main counter and went up the stairs, the wrought iron
stairs to the gallery, walkway.
#66: Okay. So, we have basically this building.that you've.
described, that has a glass door entrance and an open area
just inside the glass door ontrance,with a counter that
people visit, when they: they come in the door.
#66: Okay, anything you would .like to add. about your perceptions
or how you feel about your perceptions?
#08: No.. They kept changing, I thought, well, when I saw her
in a brown skirt and jacket with a yellow type shirt. I
said, "Well, maybe I'm in an.airline place.or_a place of
business and.then when,you pursued me or.pursued the
fact that you want to know what type of activity, the actual
activity, the literal activity and I followed the man
handing the redish type, maroon. chit to the lady, who
automatically turned around, pulled something out of a
box and gave him a newspaper-and what appeared to be
correspondence. So then.I said, "Well, maybe I'm in a
hotel.
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#66: Okay, if I understand what you're explaining, your perceptions,
as.to the labeling of this place, changed from railroad
stations, church, hotel.
#08: A.church to a railroad station type atmosphere, only because
of the hollowness, the emptyness of the building.
#66: Okay, so if we reduced the labels that you put on this?
#08: All right, church, railroad station---
#66: Hotel?
#08: ----business, no, like an airline business activity and hotel.
#66: And at one time, you mentioned foreign or government connection?
#08: Oh, that's quite different, that was quite strong, I only
looked at that: to determine the nature of the activity which
you wanted to determine, which you tasked me with at the
very beginning and that came out loud and clear, in my
mind, there's no doubt about that. There's a definite
perception of various foreign national business activities
or interests going on.
#66: Okay. Other than, if we reduced the labels of church, hotel,
business, train station, if we throwaway those labels and
look at what makes you call those labels, we have a glass 1
entrance way and an open feeling on the inside, a counter
and a stairway.
#08: Yes.
#66: And a curviness of some kind.
#08: Yes.
#66: Okay. Anything else you'd like to add?
~;a .
#08: N
#66: Okay, fine.
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TAB
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