REMOTE VIEWING SESSION CC7

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP96-00788R000800030001-1
Release Decision: 
RIPPUB
Original Classification: 
S
Document Page Count: 
21
Document Creation Date: 
November 4, 2016
Document Release Date: 
September 5, 2003
Sequence Number: 
1
Case Number: 
Content Type: 
REPORT
File: 
AttachmentSize
PDF icon CIA-RDP96-00788R000800030001-1.pdf471.38 KB
Body: 
Approved For Release 20T77,ffTV&w -_ - DP96-00788R000800030001-1 ORCON/NOFORN GRILL FLAME SESSION REPORT COPY 2 o 2, CLASSIFIED BY: Director, DIA DECLASSIFY ON: 30 Nov 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) I M! _E lij- Approved For Release 2003/0 /O9 :-C -R1?P96-00788R000800030001-1 1 1' -RDP96-00788R000800030001-1 Approved For Release 200, to"'. s~ SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CC7 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S) The protocol used for this session is detailed in the document,- Grill Flame Protocol-, AMSAA Applied Remote Viewing Protocol:(S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cueing information provided the remote viewer. Approved For Release 20 T6-00788R000800030001-1 Approved For Reled37,104 9 / 1CIA-RDP96-00788R000800030001-1 REMOTE VIEWING (RV) SESSION CC7 #66: This will be a remote viewing session (edited for security). PAUSE Its time now to focus on the target for today. I have in front of me and I'm looking at . . . a picture of two individuals. PAUSE As I look at these individuals, just relax and concentrate. Focus your attention on these two individuals. Locate them. PAUSE Identify the area. . where they're located. PAUSE Simply describe the area to me. PAUSE #36: I guess it will have to be one at a time. #66: All right. #36: I don't really understand this . . . because its a lot different than I imagined. #66: Describe it to me. Its not necessary to make complete sentences or explain. +04 #36: I don't understand where to start. . . . I'm moving around. . and looking. Its . . . Approved For Release 200 00788R000800030001-1 Approved For Release _ -RDP96-00788R000800030001-1 #66: Just relax and concentrate. Watch it carefully. When you're ready. . . when you're ready . . . . You've got plenty of time, just relax and concen- trate and when you're ready to describe, then you describe. PAUSE #36: I have a strong feeling. . . of a bearded one. #66: Okay. I'm now looking at the bearded one. Um hm. PAUSE #36: Its . . . very ornate. Brocade. Room. PAUSE I felt . . . . he slept in this room, but it doesn't appear to be a bedroom. #66: Okay. PAUSE +06 #36: Fancy desk over. . . Fancy desk. #66: All right. PAUSE #36: Fancy ceilings. #66: What makes you say they're fancy? #36: What? #66: What makes you say they're fancy? #36: Ornate. . . . . . I guess scroll type stuff. #66: All right. Fine. Tell me more about this room. #36: It appears to be a room for ... pomp and ceremony. Not like U.S. places I've seen. #66: All right. Approved For Release 2003/09/09: CI~-RBP~~=A~7000800030001-1 Approved For Release A-rcuiJ96-OO788ROOO8OOO3OOO1-1 I've been trying to shake this, but it was so beautiful, I thought it was overlay. It won't go away. #66: That's fine. What's going on in the room? +08 #36: I see someone, sitting. . . very tired. May be sleeping. There's somebody standing . . . by two doors I see. I can't believe how beautiful this room is. #66: Tell me about the person standing by the doors. #36: Just a person. Its a man. There was a door at the end of the room. Definitely a man. He . . . a civilian, I think. He's got a weapon. #66: All right. How many people are in the room? #36: Looking. I have a feeling . . . . . . . . . I don't know. Five or six people asleep. Laying . . . . there's two on the floor. PAUSE #66: Tell me about the floor. #36: Its . . . dark background. Very fancy blues and . . . blues and gold. #66: Okay. Approved For Release 2003/09 P96-00788R000800030001-1 #36: Is . . . . elegant. Approved For Relea 09r.CIA-RDP96-00788R000800030001-1 #36: Is real fancy. Somebody laying on a couch or long seat. Somebody in a white shirt and its him. . . I thinks its the bearded one. He's half awake and half asleep. Sitting up. Got his head against his hands. Elbow on his knee. #66: How does he feel? #36: (Not audible) too good. PAUSE Its fairly quiet in here. PAUSE I feel like the guard's nudging somebody. Trying to wake them up. PAUSE +13 #66: Tell me about the walls in the room. PAUSE #36: I see . . . . . A white or cream stanchons like. . . or broken. . Its flat panels. . I think they're smooth. Smooth. . . retain vertical stanchons which appear angular rather than round. Walking around here I saw . . . . maroon . . . . colored . . . marble column. Just saw part of it. I . . I don't know if its a stand or something or if its . . pillar. I think that's outside where . . . the guy with the weapon. . . . . PAUSE I think the guy's standing. Southside. PAUSE #66: Tell me about things electric in the room. PAUSE Approved For Release 200349/OW: 'pLpPRflP96-00788R000800030001-1 Approved For Releasp`'j - P96-00788R000800030001-1 +16 #36: Brass plug under . . under the desk, on the floor. Beautiful chandelier. I don't get this. They ought to be in the bedroom. #36: I'm looking for it. Yeah. Ought to be something like that. PAUSE #66: Just look for it; don't manufacture it. PAUSE #36: Got some funny furniture, but I . . . I wouldn't. . . I don't know if it houses anything. I don't believe this. I don't know. PAUSE There's a . . . I don't know if this is the same desk. I think its the same room. Its got . . . a red phone but I don't think its connected. Real fancy desk. I'm going to look for that other guy. #66: Fine. I am now looking at the one without a beard. I'm looking at him directly. Focus your attention on him. . . and describe the area to me. Approved For Release -'" Q:E~~DP96-00788R000800030001-1 Approved For Releas X09/99 CIA-RDP96-00788R000800030001-1 #36: The room is . . . primarily white with . . looks like some fancy plaster molding between the ceiling and the roof; ceiling and the wall. There is . . . its white. PAUSE +20 #66: What's going on in the room? PAUSE #36: I think . . . There ought to be beds here. PAUSE This guys curled up on something - got his knees drawn up. And he . . . . Let me see. Carpet on the floor and tile. I see some guys over there I don't know. PAUSE #66: How does one get into this room? #36: Wait a minute. PAUSE There's a big tall door about . . . 10 foot tall. I don't know why in the hell I said that; that's stupid. PAUSE #66: Simply describe, don't analyze. PAUSE #36: Wait a minute. Wait a minute. #66: Relax and concentrate and focus your attention and when you're ready, describe. #36: I see . . . a . . . . I think there's a door +22 in the roof of this room. #66: All right. Approved For Release 2003/09/09 : CIA-RDP96-00748R000800030001-1 6 (' ,7 Approved For Release zuV3 ,t iuy,A - P96-00788R000800030001-1 #36: Just let me . . . I . . . I wonder - a door in the ceiling. #66: Tell me what makes you say that? #36: I just had a look around and I . . . this . . thing/this shape, just appeared. Like a door laying flat and I was under it. Its somewhere in this room; it must be in the ceiling. Its like a . . Looked like two panels. . . Its twice as long as it is wide and it is two panels. There's somebody on the roof. Outside. There's somebody up there. PAUSE Its . . . Its not our people. PAUSE #66: Okay. I have no further questions. I'd like you, at this time, to make any comments that you feel you'd like to make. PAUSE #36: Wait a minute. PAUSE I see what appears to be . . a curved portion of a room. Curved wall. I . . . I saw a hand reaching, trying to stretch to someone to help them up on something, I think. Okay. Approved For Release 2003/ - 7 8R000800030001-1 Approved For Release O3/09(09(; (iIA-RDP96-00788R000800030001-1 #36: I guess a pitched roof building and the main entrance is . . . . . where that guy was standing. I mean in that direction. . . . I said South. #66: Okay, I don't want you to get too far out now. We're interested in the description of these two areas. You've done just fine. So relax and concentrate. Relax and concentrate. Remember the images that you've had. Remember clearly and concisely, every detail, all the images that you've had. Bring your attention to focus back into the room now. Move your arms, move your legs. Sit up and draw those impressions that you had. PAUSE #36: I don't understand this. PAUSE #66: Would you like some overhead light? #36: Yeah, I guess. PAUSE Huh! I never looked at that wall. PAUSE #66: When you're ready, as many little labels and diagrams and arrows that you can put on the actual picture itself, the better. Because we may have to give someone just the picture with- out any words. #36: There were people on couches and things. I just got glimpses of them. I don't know exactly where these couches were. There's also some people. . . in on the floor over here. PAUSE #66: That's the way, that's good. PAUSE Approved For Release 2003/09/0 :CIA-RDP96-00788R000800030001-1 Approved For Release tf1tLATDflPQROO788ROOO8OOO3OOO1-1 #66: You can just add a few words to the side like you say a chandelier. . in the room, and things like that. #36: How in the hell do you spell chandelier? #66: With a ch. #36: Right. PAUSE You said it had fancy carpeting too? #36: Um hm. #66: And you made a comment at the beginning that this didn't look like what you might have assumed you would find when you'd look for these people. PAUSE #36: Another word for stanchons is PAUSE #66: Okay. #36: There was furniture like I've never seen before. Very fancy chairs. Fancy. . antique, I guess, you know. I can't draw that fancy stuff. #66: Okay, why don't you go on to the second area where the second gentlement is located. #36: The . . . That room was very clear, but I can't get all that fancy stuff. There was even gold colored cords with tassels on them. #66: Okay. Approved For Release 2003/0-'x.,'--,_ _ 788R000800030001-1. Approved For Releaf DP96-00788R000800030001-1 #36: I saw a guy that had a beard all doubled up sleeping close to me towards or against something. I don't know, a couch or something else. Over here were some people . . . lying on the floor. #66: Do you feel this is a different area than the other area? #36: Oh, most certainly. This had fancy stuff up here but it wasn't painted. It was painted white. There appeared to be something on the ceiling like that. That could be a light, but I had the distinct feeling of a window or door, an opening through to the outside. I don't know why, but. . . . I couldn't . . I don't remember any windows in the blame place but there was a . . . very tall door and I didn't . I was aware . I didn't see any guard or anything. of someone on the roof. #66: Um hm. PAUSE #36:', Maybe a skylight, I don't know. PAUSE There was ing over here in this corner. I couldn't make it out. PAUSE What'd I say that color was? Maroon? PAUSE Approved For Releas - 6-00788R000800030001-1 Approved For Relea 96-00788R000800030001-1 #36: Okay, that's about it. #66: Okay. Write a number down here for this. Okay, that's good. #36: These stanchon gizmos were fluted and there was a . . . #66: Which room were these in? #36: These were in that first room. And then there'd be open panel and then this thing would repeat again. PAUSE #66: They stuck out from the wall, or . . ? #36: They stuck out from the wall, um hm. #66: Okay. #36: The ceiling had all kinds of fancy, symetrical stuff on it. #66: Okay. Stanchons are pillar-like things that stuck out from the wall a little bit. Were they decorative or supportive? #36: Um hm. Decorative, I think. I'm sure they supported - I mean they covered a support. #66: Um hm. #36: But they were very decorative. #66: Okay. Can we go back to Drawing 1 here and indicate which wall you think those were on in Drawing 1. #36: Right here. #66: Okay. Write see Drawing 3. PAUSE Approved For Release 200 -00788R000800030001-1 Approved For Release P96-00788R000800030001-1 #66: Put your number down here. The chief analyst will get me for that. #36: Okay. He's a God damn bear. PAUSE Here's where the phone was. PAUSE #66 I don't think it was hooked up and this the desk that had the brass plate under Ok is it. : ay. #36: I would have thought there would have been #66: a lot more austere than what I saw. I have been, you know, clean across the somewhere else, but . . . Anything else you want to add? may God damn #36: Only my complete surprise that (not audible) more austere - like a big Government building. #66: Okay. That'll do it then. 12 .: ."7 Approved For Release 2003/09/09 : C14- -Ai 88R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 TAB Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 e" 14 W&$ yew C CL) ~e'h n? ol~sr orha+~-c "s 60 V dI a-h//,Ca (4af 41t- XAye C. ~". 7-V PQ` . I t di %dJ- " tip 5; cite... ' f kA/ k-~ A W (4 ea-// FT MS"096y' C IO[Ao 0778 0 - . Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 ~ _ ~; 'sue Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 TAB Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 200AW W" 00788R000800030001-1 TARGET CURING INFORMATION REMOTE VIEWING (RV) SESSION CC7 1. (S) The remote viewer had been exposed to open source news media information and extensive overhead imagery prior to the session. He knew he would be working against the hostage situation in Iran. 2. (S) The following page shows the only information provided to him at the time of the session. Approved For Relea 00788R000800030001-1 SG1A Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1 Approved For Release 2003/09/09 : CIA-RDP96-00788R000800030001-1