SUMMARY REMOTE VIEWING SESSION CC26

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800200001-2
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 28
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Content Type: REPORT

Approved For Release
96-00788R000800200001-2
CLASSIFIED BY: DIRECTOR,.DIA
DECLASSIFY ON: 11 Dec 1999
.EXTENDED BY: DIRECTOR, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSIONCC26
site. At TAB B is target cueing ?nforma ion
during. the remote viewing session. At TAB are g
by the remote viewer reference his impressions of the target
t rovided the
4. (S) Following-is a transcript of the viewer's impressions
A drawin s made
Protocol.(S), undated.
document, Grill Flame Protocol, AMSAA.Applied emo
3. (S) The protocol used for this session is detailed in the
n to Viewing
responsibility of the requester.
Interpretation and use-of the information prove e
provided as ra
subjected to any. intermediate analysis, evaluation or collation.
A d is the
o
2. (S) The remo
w intelligence data and as such have not been
v eEVer' s impressions of the. target are
t
the -U.-S. Embassy compound in. Teheran, Iran.
to provide information relevant to the hos ages u
1. '(S) `This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
t it ation in
remote viewer. .
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC26
#66 This will be a remote viewing session (edited
for security).
PAUSE
For the past few minutes now, you've been studying a
photograph. Focus your attention now on the area
designated as area G. :Relax and concentrate solely
on area G. Focus your attention now. Relax and
concentrate, and describe the area to me.
PAUSE
#10.5 Outside a window.....third floor...looking down on a
small steps... outside steps... level... wall on each
.side of the steps.
#66 Ok.
#10.5 I think I got...I have feeling of...small' :.outside...
step and a feeling of..look through doors...feeling
of double latch doors...like panic bar type...bars
push on to open the door up. In the foyer...going
in..feel pillar... something right inside the door
in the middle of the terrazzo type foyer...maybe
20 x 20 glass faced bulletin board on the wall..
like a display box...like.a 4x8 laying along side
going in farther...I think there might be another
set of doors in the back of the foyer.
#66 Focusing your attention now, on the fact that it's
between one and two in the morning for target, describe
the activity in this area.
#10.5 - Working.
Feeling of...black, dark, modern naugahide (phonetic)
type plastic sofa...around the walls some sort of a
large inner room like a middle room...I'm looking for
people. I think there are some random people here.
I have a feeli a man and..a ligh ort sheeve
shirt...k s on...elbows on knees sitting on a black
sofa..h d in the hands...hiding face...tired and dejected
(mumbli .groggy-. .handcuffs...I see them clearly.
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The white shirt is speckled with some kind of circle
(mumbling) just like print.. ..feeling of tan slacks
...feeling, a beard...a beard, I think. IHe looked
up....he looked up..... (mumbling)walking...somebody
motioned to him and he is walking away from me. He
is walking across a room..,-the room...I have the
feeling of someone coming up and taking his right
arm and escorting him across catty-corner across the
room to a hallway. He had a ...I had a feeling he
is wearing sandles. I'm looking for more people.
Let me get into this place.
#10.5 OK.Ithink there is a hallway going each way. At
first I thought I was in a large (mumbling) but I
don't perceive that. I perceive a closed ceiling
over my head. I feel there is a series of stairs.
(mumbling) in the center and there are stairs at each
end of the hall...I tried......
I have...a corner wall...going down the first hall
to see the table set back from the mouth of the hail.
With two guards on it looking in the hall. They can
see the entire hall...the man_was..... I think...
I'm going down the hall. Let me focus on it.
I- am trying to focus...two men at the desk are armed...
see a at least one automatic rifle sitting on top of
the table, lying on its side at an angle pointing
down this hall .......
#66 Move down the hall.
#10.5 I feel there are a number of people in this area.
...I feel...two and three people per room... maybe...
small rooms..I think-I'm going down the hall
backwards.......I feel that the first room, on my right,
has two or three men in it...let's see...rumbled bed
sheets... across the hall (mumbling) in sleeping...
going across the hall...still going backwards....I
feel these doors are...I feel these doors are not
directly opposite. They are jig-sawed back and
forth.:offset. I feel that the room opposite is larger
than the first. I see three beds there. The one befor
I saw only two....three beds ...two inside the door on
the right....a box of some kind....a square and
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another one at the far end of the room with a
...its foot toward the door...it's in line toward
the door and then the far right corner of this
room there's appears only a living area......
I would fill it with a small writing table and a
lamp of some kind...
I feel there are people in the room.
#66 Who are these people?
#10.5 I feel these peop
like the other.
held against th
#66 Move on down the hallway.
#10.5 The doors are all opened. I feel ...I was standing
in that room...doorway and the doors are all opened.
-I'm going down, the hall.
PAUSE
#66 Locate the gentleman you saw-before, being led down
this hall.
#66 Go on.
#10.5 I...uh...have him sitting on a chair...have him sitting
on a chair with his hands behind his back...I have him
sitting facing some sort of a office-room .. it's not
a sleeping it's a office room ..... at first I had him
standing. Then I had him being seated in a chair
without arms and looking at a man and a woman...a man
and a woma ehind a dark table.
esk...uh...when he was standing...
a-___ _
feeling of papers and pointing and that ...uh...pointi
which is different than the wayI saw him before.
I don't know if I am in the same place. This room
is really.....he is like stting in....not the center
of the room but.....I'm starting to lose my focus...
is toreneao
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#66 Focus solely on him now. Focus solely on him.
Look at him directly, so that you might be able to
recognize a picture of him later. Focus solely
on him.
#66 Describe him to me.
#10.5 He has a wide brow...a high brow... dark... dark
color... straight hair ... wavy not curly. He has
full beard and mustache he has a.....I keep seeing
raspberry or strawberry shirt print on a white
shirt. His beard is about 23,2 inches long and is
curlier than his hair.
#66 All.:right. Remember that face. Remember that face
in detail. I have no further questions about the
target area at this time. It.is now the opportunity
for you to add anything you would like to add before
we draw.
#10.5 There are chairs around this room and it appears
wider than it is deep and it appears wider than it
is deep. The man is looking at the floor at my feet
He has dark circles in his eyes...he is...uh...doleful
...is a word that pops in my mind. It's as though he
is being(mumbling)and he's just staring blankly at
-the floor.
#66 Ok. Return your attention now to this room with
me...take a deep breath...move your arms, move your
legs and prepare to draw those images that you have
seen.
Booker...booker....
F stopped there, you mentioned a name
or.....
Yes. I was trying to....I asked who is this...
who is this man and I got the word Maw
Then I imagined myself in the_back off` his head
back in his hair and trying to get close to him
and the word booker came to mind and it was after
Marian. It was two different actions. Away from
him I asked who is this man and J got the word Marian
and then I went into the back of his hair like this
and I imagined myself up close to his head and the
word booker came into my mind.
All right where do we start? When I first...
just before tape went on I had an image of two men
wV+
4 'Ono" ,
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like this.
sitting on a black sofa. I'll draw this as
number one, but it is not on the tape. The man next
to him was sitting at attention like. The guy next
to him was sitting with his legs crossed....not
crossed...drapped and the other one down on the floor
?#66 What were the roles of these two men?
5 That's just an image. I didn't want to try to do
#10
.
anything, because, like I said before...it was before
it 45 seconds before target time. The theme is this
man was waiting-and this man was watching him wait.
All right. So here we go. I had my target and I felt
I was drifting along the wall,-outside, about a third
story window looking down on an uncovered entrance
way. With steps, not with many steps, not with big
steps, but with some steps.- I didn't detect any type
of a cover over it....like a third story window sill
like this. ..looking down. Of course, the distance
down to the next window looks greater, and the distance
down to the window at the very bottom looks much narrower.
And I'll write looking down an exterior wall.
#66 Ok. Did you look in the windows?
#10.5 No. I did not look in the windows.
Moving on to three. I had the feeling of a very plain
modern inset ...with a slight... double wall..I can't get
away from these double walls. What I'm saying is that
there isn't much inset to this thing. It's like only
a couple feet max set in. Not like some of the things
that we ended up with with some really bizarre insets.
It's a modern fronta ORd-aluminum and glass
doors w' panes so in order to get in an
door open. It is attached to the frame. They were
it. You push on that aluminum bar to push the whole
it was or me o tell what was the door frame and
what wasn't.. I'll draw a little check marks in it
to detect glass....I get the feeling of a government
type thing, with a a push shield there, and a push shield
there and behind the shield, inside would be this
aluminum bar..
That's not what I wanted to draw. No. I just realize
there's one difference. Notice how I have these
things coming down...they're not down. That's the thing
I wanted to remember. They do not come down. They're
flush...like that...they're flush with the top level.
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See what I mean. I had them tapered down. I distinctly
remember that. These are double, glass..(mumbling)
Inside is some sort of terrazzo, small terrazzo...
Inside this place, of course here are the aluminum
door frames with the full glass in them...the break
or bar type of aparatus there...there's a large
approximately 4x8 bulletin board, glassed in type
of thing. It's a glass frame of.some kind that...
extraordinary. large that you would find in a public
office... vacancy announcements stuck behind it...
this is like a terrazzo or something. It's reflective.
terrazzo type...light shinny...
#10.5 Yes. This is like an interi
and I could not figure out...Imen ere may
-be another set of double doors here, on the left
side of it. I'll draw those in with dotted lines.
I couldn't determine whether there was another divider
there or not. I got in here and I saw the frame and
the next thing I knew I was inside the main building.
I had already gone through it.
-466 But you had a perception that there was another entrance
as well after you popped through this entrance.
#10.5 Yes. It's.hard to tell when you go through things that
have a similar pattern you seem to lose individual
recognition of them. If there are a set of doors here,
I'd say it is another set of glass with aluminum frame
doors. Just like the front and that is why I couldn't
:make them out. This is a small foyer... possible double
doors here-same as the ones on the right side of the
picture, on four.
There was also a feeling that in the middle of this
foyer there was something standing there. I couldn't
make out or a large box. I feel
there s something in the is le of that foyer...
may 20 x . 20 that went from flo to ceiling. On
th tape I said that there was som thing there that I
fe t but I am not sure what it was. There was some
sor of a vertical structi .eemeVfl rein there.
All right. Going on to page five. I encountered
a problem here and the reason is because of a prior
target and I wanted to make certain that I did not
get any overlay... residual overlay from a preceding
target.
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Essentially, what I ended up with....how am I going
to do._this....... there's the double doors...
An overhead is the best way, I think, to do this.
Here's the double doors .... ok.... not a very large
room...hall off to the right... geometrically
stvled___central area again...I felt that there were
roo a ge ree.stories or
o stories high or anything like that.... the
wi is hands he is cupping his af-c~+`'iw _
like this... white short sleeved shirt, brown p M
3,Jpn't know. I thought he might have had sandle
?#66 Ok. Is this the same gentleman ...... and which we later.....;
#10.5 This is the man I managed to get back to...but he was alone
when I saw him here.
#66 Ok. And the shirt that he was wearing is the same one
that you described later.
#10.5 Right. That is what I was using...the idea of a full-
faced beard and that this white and polka dotted shirt
somekind...anyway...he was like sitting there and he'
was definitely manacled...was the idea I had.
#66 On the tape you called them handcuffs.
#10.5 -Ok. ,ManaclvO.handcuffs....
#66 Ok. I wanted to check your imagery on that and I wanted
to make sure because we have all seen the pictures on
TV and they're obviously like...what we've seen is white
tape or something like rags.
10.5 I haven't seen anything like that...I haven't seen
any pictures.................................. ....
stairs on the right side went up through the hallw
floor...or whatever. On this hallway, I had the
feeling that the guy that I was talking about......-
First of all, I had the feeling of black naugahyde type
shinny leather couch ...plastic couches around this place.
The guy...when I saw him, was sitting here...no not
there..... there or on the next-wall neighboring it.
No. I was right the first time .... I'll stay with the
irst thing anyway. I felt that this inside here was
carpeted and it was a gray carpeting and these are
four to five black naugahyde sofas without arms. Lik
plain...like you would find in a waiting room...
this guy was alone sitting with his legs...you know...
anybody sits on a sofa.....I had him hunched over with
his arms on his knees like with his...uh...you could see
the top of Kittle bit of his face and
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#66 But you called them handcuffs.
#10.5 I called them definitely manacles... handcuffs is
what I called them. What I mean is they are metal
wrist cuffs. I had a definite feeling. of that.
The polka dots on the man's shirt are not.polka dots.
They are like little raspberries or little strawberries.
They're some sor o a rui pattern n e guys shirt .
White with a reddish something that contrasting
....white with contrasting raspberry/strawberry print
shirt , short sleeved. OK. He is waiting alone.
He was here where the X is on the bottom of five.
As I- moved over to his right side to start to look
at him real close he like looked up and I got this
other image of somebody saying like this.....and he
stood up and he walked across--the room......
#66 Ok. You got an image of someone.....
#10.5 -Someone saying with.a wave "come here...let's go"
I'm-sorry...we're not on video tape...are we.....
When summoned he walked in this direction. At about
this point here, the second X on sketch five he was
joined on his right side by another man..~.I don't think
it was the motioning man. Took him by his right elbow
stirred him around this table which sits there and
-looks down the hall and he walked down the hall, I
think. I lost them when they were on that side of the
room.- They could have gone down the hall...they might
have gore upstairs.....I had the feeling that he was
taken back to his room, or something
I'll go on to six. Six is the hallway entrance, as
I saw it.-that fades in the kness there....there
is a table that.sits at tn~ mouth...about 10 feet
back at that table re two men:...and one of them....
I can recognize the I have to...oh! what
is it.... it's laying at an angle like-this....it's an
automatic weapon....got a clip on it..... shoulder
fired weapon...it's got a stock on it...it's a British
weapon ...it's like a British .......:..automatic rifle
....the FAL...FAN...FAL styling. The clastic type
tock comes nearly all the way down to the tip of
the rifle. I did not recognize it as being a Soviet
made rifle. I recognized it as being a western NATO
type rifle. The barrel hangs over th end of the dam
thing. It's much too small for this. And there are
two guys sitting here and they look down the hall.
From my earlier shot the staircase would be here on
the left.
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#10.5 That's six.
Now I'm in the hall, I guess. OK. Here is table...
two guys sitting at the table ...the thing...it seemed
like I had to back down to the hall...I didn't want to
turn my back on the guys at the end of the hall. .
It seemed like I had to go down the hall a pretty good
length before I got to the first room.....maybe 25 or 30
feet...and I had the feeling like I was in the area . where
the prisoners were being maintained because inside this
door...uh ...on the right side I felt were two.beds...
small room with two beds...I got the feeling of rumpled
sheets.... sheets piled up on. the bottom....foot of the -
bed and everything....I didn't get the. impression...
of people huddling. . .1 got the impression.of people
sleeping in a normal temperature. Ididn't see bodies
covered up with blankets or bunks covered up with
blankets. I saw rather stuff rumpled up at the foot
of beds, and when 1 did get an impression of anyone
sleeping they were sleeping, essentially, uncovered.
On the left side of the room...left side of the hall
-rather ...the idea I was trying to get across is that
these doors are catty-cornered and these doors are open.
I put my back to this doorway and looked across the wall.
There was no doorway across the wall. Ttie.doorway was
1.0 feet down and across on the other side of the hallway.
That's seven.
And seven A. I'll do a room sketch and in seven B I'll
#10.5
do a room sketch.
at the foot. I had the feeling there was someone sleeping
in it.
Seven A. There was a sleeper in front of me...there
was a sleeper to the left of.me...and_it is a small
room. The best.thing for me is to do an overhead.
Thad the feeling that was a door and there was a bed
-here and there was a bed here.,-With rumpled bedclothes
You called them men.
ere is the hallway.
'= I felt two sleepers here.
on the right...the bed theme
room makes the
and a b
door w
that i
of the.ro
is something
Yes. All night. That's seven A. Seven B was two
in one Now seven B is across the hall and down. I
walked in...it was a longer room...here I will put
dotted lines because I don't know what is there. There
on the right side
where the
r it is
96ed there...
portion of the
e other side of the hallway
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a larger room. A table there with a lamp on it.
Sort of a ...very small living area...probably
two-thirds the size of just the square made by this
pattern here of this furniture... then there is something
here-what it is...I don't know.....it is like a jog
in.....I had to sort of lean over and look and then I.
would see the foot of one bed and then I felt there was
another bed sitting right outboard from it...side by side.
And then there was one going that way at this end of
the room. I had to sort of peer around this... whatever
it is... That is seven B.
#6.5 What did you feel about the people in seven A and
seven B.
#10.5 I thought they were our prisoners.
#66 Ok. Now at this point it was getting late and you
were having some trouble moving down the hail and I
wanted to take advantage of the time we had and refocus
on the individual that you had seen out in the larger
area and that you perceived was moved. So at this point
then you refocused on this individual.
#10.5 Right. The interesting thing about it wis_pp until
now I hadsaid he has been out in the anti room for
some reason and now they are going to put him back in
his room. And I dismissed when I saw him walk away
with the guard. When I refocused on the cat.........
I_got him in a room...what is this-this is eight
...ok...?.n a room more long than it was wide.....
#66 OK. As you said before, you really don't know where
this other room.is.
#10.5 No. I don't. I didn't get any feeling that I was flitting
across the country side. So it may be a place in the
same structure, but, where in the same structure, I have
no idea.
There is a desk here ...two people sitting behind it...
there are papers scattered out on the desk...first I
had him standing in front of the desk and the feeling
that someone was standing here in the corner behind them.
Looking down at the desk and people at the desk jesturing
to these papers and things that were out on this dark
desk. There was a chair behind him and he sat in the
So then he ended up sitting a char whwas a straight!
chair that was right behind him a was standing.
backed armless type chair There are om ind of
sofas ...like sort of cc1glomerate fur ure...nice
any living quarters. It w hough he was in an office
furniture...it was like n office ad5...he wasn't in
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tables around....furniture...not tables sitting around
the room...sofa, chair, furniture... that type of stuff
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area and there was an assortment of office type
around the room.
At this time, however, the guy had his hands behind
him; whereas before he had his hands in front of him.
This time I am pretty sure that I had the impression
he was sitting with his hands behind him like this and
he was sitting enough off the edge of his chair so that
he could lean back against the back of the chair without
#66 It was at this point thatI asked you to look at him
...carefully so that you might be able to recognize
him from a picture later.
410.5 Right.
466 You proceeded then to look at him closely then you were
asked to consider anything else you might like to say
before we ended the session and you tried moving closer
to this gentleman at this time.
#10.5 Right. Some sort of.a modern desk. Here's our guy.
Sitting here in a straight backed type chair of some kind
.....hands behind his back...full beard6d.7...at this
time I perceived.... that is what I couldn't understand....
about it...that he-had something wrapped around his head.
As though he had had a blindfold on him...but.he did not
have a blindfold on him before. I perceived nothing
around his head before. Here behind him are the sofas
and such along the wall....that is an arm chair....here
is the door ...... then there is the paper here....and
this. is dark .... office like .. desk... pretty neat desk too..
one was a man and one was a woman, but then I just said
two people and they are pointing at these papers. When
e was s ting. Towards th end
o is period, I had the feel11n fitting
there looking down, almost in front of his feet, like
this, and I came in between the desk and him, and I
tried to put, myself right down there on the floor. I
don't know why. He was staring abjectly..... vacuously
staring down at the floor...and I had the feeling he was
being horanged (phonetic) by the people at the desk who
obviously were in charge of the situation and he was
looking down at the carpet....or whatever.... trying to
ignore them.
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I was up to his right
What I did then....I was off to his right shoulder
and I asked who this, man was....I asked who is this
man, of myself, and in answer to that I had the name
Marion or Marian...then that was about the end of
the session ..... I had a couple more descriptions
something. along that...I came down and nestled right
up into his scalp behind him and under his hair in
the back of his head and the name or the word booker
came in at that time........ and that's about it..
#66 OK. Any other comments?
#6.5 I gather then, that you are saying you would not be
able to identify him if you were shown pictures.
#10.5 I can try. He's got a full beard, he's got along ~~
forehead, he's got sort of bushy eyebrows. His is
wavy but not curly and his beard is curly and he's
got...I forget what it is... dark circles under his
eyes....I think I might be able to.
#6.5 Did
#10.5 No. None that I perceived. I wasn't looking for
any...or anything like that.
#66 OK. In this hallway that you've had earlier in areas
of this building which you explored, seemed to be a
very small portion of this greater-building. Can you
tell me on what floor is this hallway in the building?
#10.5 I ,think it is on the ground floor level. .Right.inside
the front door of this thing on the right as you come
in.
#66 And how about the room where the man is.
#10.5 I don't have any feeling where that is.
OH! All right. In the hallways... have chained...I
had the feeling that on the end of that hallway on the
ground floor where I was, was the doors were not glassed
paned as though the front doors were...they were solid
...they had breaker bars, but I had the feeling the
breaker bars were chained together. To the right of
that door is a well at the end of the hall. When
I was in t fiddle o the lobby I had the feeling there's
a centr stairwell t at goes up.
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TAB
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 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
Approved for Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 CIA-RDP96-00788R000800200001-2
Approved For Release 2000/08/07 CIA-RDP96-00788R000800200001-2
 Approved ri' Release 2000/08/07 IA-RDP96-007,88 OOO80020000.1-2
I~J) C.=~.
Approved For Release 2000/08/07 : CIA-RDP96-007888000800200001-2
 Approved For Release 2000/08/07 CIA-RDP96-00788R000800200001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-0078PR000
00200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-007888000800200001-2
 Approved For Release 2000/08/07 CIA-RDP96-00788R000800200001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788ROO68W200001-2
 Approved For Release 2000/08/07 CIA-RDP96-00788R000800200001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200601-2
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800200001-2
 Approved For Rele
DP96-00788R000800200001-2
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC26
1 (S) The viewer has been exposed to open source news media
. information as well as classified overhead imagery. He knew he
would be working against the hostage situation in IRAN.
2. (S) At the time of the session the viewer was shown overhead
i
magery
imagery of-the US Embassy. compound in Teheran, Iran. The
is not included herein due to its classification.
Approved for Release 20d-00788R000800200001-2