SUMMARY REMOTE VIEWING SESSION CC50

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP96-00788R000800420001-8
Release Decision: 
RIPPUB
Original Classification: 
S
Document Page Count: 
29
Document Creation Date: 
November 4, 2016
Document Release Date: 
June 17, 1998
Sequence Number: 
1
Case Number: 
Publication Date: 
March 1, 1980
Content Type: 
REPORT
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PDF icon CIA-RDP96-00788R000800420001-8.pdf1.2 MB
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Approved For Relea ~ 6-007888000800420001-8 ___ ~_._, .a _._.~ ORCON/NOFORN SG1J GRILL FLAME SESSION REPORT Co~Y 2 0~ 2 CLASSIFIED BY: Director, DIA DECLASSIFY ON: 31 Dec 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) Approved For Releas~~-2~@0~0~8iti7~ Ala-RDP96-00788.8000800420001-8 Approved For Release RDP96-007888000800420041_-8 SUlvibiARY ANALYSIS REMOTE VIE~ti'ING (RV) SESSION 1, (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request fxom SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the L?.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3, (S) The protocol used for this session is detailed in the document, Grill Flarne Protocol, AMSAA Applied Remote Viewing Frotccol~(S), undated. 4, (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viet~rer reference his impressions of the--.target site. At TAB B is target cueing information provided the remote viewer. { ~.. fl :l Approved For Release 200 ~ ~ - 96-007888000800420001-8 security). OK ~F31 tune to start the session. For the past few minutes you have been focusing your attention on a photograph of CPT Paul Needham. I want you to relax, relax and concentrate and describe to me the area where Paul Needham is located. Relax, concentrate, focus your attention on the area where Paul Needham is located, and tell me about it. +03 Approved For Relea's 96-007888000800420001-8 REP1OTE VIEWING (RU) SESSION~CC5O ~~6:5 This iuill be a remote viewing session (edited for ~~31 Got a...got a feeling of familiarity..uh..similarity.. uh..got a..uh..a barren..uh..wall with..uh..feeling of..uh..two platforms. One above the other on..uh.. on a right wall. A..uh..their chair dropped type of..uh ..bed platforms, I think. Sleeping platforms. A metal fixture that attracted them..uh..There's..uh..on the other side of the wall tt~ere's..uh..on the other end there's a...uh..something that makes a notch out of the room....a walled thing or a....partition thing and ..feel that..uh..about half way up on the back part of this is a square that lets in light. [3ut, everything is along the right side.In the foreground I think there is a table..uh..like thing. Qut the left side of this room is nothing in there. I thinl~..uh..this place is opposite where I was before and down two or three cells. It appears to be..uh..farther down the hall from the staircase. I think tf~ere is..uh..I'm getting a feeling for the end of the hall, now. I think it is..uh..one in from the end. The wall ending the stair....the hallway here is just a blank brick wall..I feel that's a rather large...unusually large stones, but..... PAUSC I'm back in the cell (mumbling). ~~~,5 OK. Tell me about anybody that's in that cell. Approved For Release 2000/08/07#:"~1Ax-RDP96-007888000800420001-8 Approved For Release 2000/ ~ -007888000800420001-8 OK. Give me a minul:e or two while I focus on Needham. I have..uh..another name Harold..uh..coming to me as though Harold is another person here. I..uh.. had been..uh..been..something. I am on the top bunk .with w.ohever is on the top bunk. I will try to find out. This is a much longer ...has curly dark hair..uh.. he has..uh..(mumbling) the feeling..uh..of a..uh.. dark mustache, and that..uh..some reason had the feeling of .a gold crown on a upper tooth on the left side of his jaw. Uh..sort of full face. In imagining he and Needham togetf~er I feel this guy is about the same height but is possibly 40 pounds heavier... stockier built than Needham...but is not fat...is rather more solid. Possibly an inch shorter, but only an inch. ~~6.5 Is there anything else you can tell me about him? #31 Let me work for a short while. 4k6.5 OK. Just relax. Take your time and concentrate on him. ~~31 No. I can't get much more. ~~6.5 OK. That's good. ~~31 I want you to focus on his face one last time. Get the image of his face so that you will be able to recognize him later. When you've done that let me know and ti~en we will move on. ~r`31 [)K. #6.5 U4C. Icll me r`~ow ~~31, tell me how we get out of tLiis cc~ l 1? Approved For .Release 2000/08/07 :CIA-RDP96-007888000800420001-8 App.ro~ed For Release 2 96-007888000800420001-8 ~k31 Uh..access a..uh..door on the central hallway.. must move to the rigt~t....to the left is a solid wall. Must move to the right and go (pause) 40 feet to the far side..uh..of an upstair case. ..~~6,.5 I want you to stand right outside of this cell that ht outside of it and tell d ri t t i g an n...s you were jus me what you see from there. .f~31 I see .,. uh..uh...across a..uh..20 foot hall is a h~ h I n see a t .. o w is c series of like cubicles. In ..uh..each having a likeness of a..uh..single high window in the back with beds to either on right or left..:.case left. OK. Walk by those cubicles ~~31, and look inside them. Don't go in. Just look inside them and tell me if anybody's in there. Go one room at a time and let me know when you are going from one room to the other. f~31 I'm in the far left end..uh..have feeling of..uh.. one man sleeping alone bottom bunk. I'm going to the next., +3] I have a...uh..feeling of two (pause)going to the next. One on top. ~~6.5 OK. ~~31 go in and visit this guy or tf~is individual. Go in and take a look at him and describe him to me. ~~31 Uh...when you..uh..said go in I had Holland flash into my mind and..uh..had feeling of..uh..uh..full-face with glasses and..uh..receding hairline..uh..uh..For some reason he's sleeping at....high...a..uh..I don't know why he's on the top. But it's about face height to h.im. #6.5 ~ llgain, hold l;hc image of him. Look at him. Study him. hold that. image so you can describe him to me later. 1JI~en you have c.lonc that , lct me know. ~~31 - Back . Approved For Release 2000/08/07 :CIA-RDP96-00788R000800420Q0~.-$_ __.. Approved For Release 20 96-007888000800420001-8 ~~~,,5 OK. Doing very good. Let's go back now, go back down to the far left and, where you saw that one man .sleeping alone on the bottom bunk. Go into that room and describe him to me. Had a..uh..a feeling that..uh..mature older fellow ..uh.:slight widows peak..gray flannel suit type.. coat and tie guy...45-50ish....and that..uh.. sort of well-kept, not skinny, emaciated, fit and trim ftype..a..uh..guy who must be visible and must look goo Concentrate on his face and hold that image so that you will be able to tell me about him later. When you feel comfortable that you can identify him later, let me know. ~~6 5 OK I want you to concentrate on his face now ~~31. 431 E3ack . ~~6.5 OK. I want to do one last thing, now. I want you to 0 50 leave this building, go outside, go up to about feet and look around and tell me how I can find this building. How I can locate this building. I gat a..uh..shot of a..uti..four or five traffic circle which is within a couple of hundred meters of ,this place. I feel there are one or two ..uh..now I am feeling that there is..uh..one or two roads off of this road between the place and this traffic circle or circular thing. 13ut t(~at they 're all T intersections and that this road seems to intersect the traffic loop figure thing at a weird angle. It's more tangential as opposed to 90 degrees. It sloppily intersects. I keep seeing this tangent line instead of this straight shot out and..uh..the reason that these streets are all T intersections is that there is a sizeable closed off fence. I see a feeling of black spiked metal fence across the street, that like encloses a park or a big green space of some size.- That is a big place. [3ig enough to prevent two or three crossings from occurring. ~~6.5 Can you tell me what the building looks like from above? Tell me what the building looks like from up above. Approved For Release 2000/08/07 :CIA-RDP96-007888000800420001-8 Approved For Release 2000/08/0 ? rin-Q~o~~-~+0788R000800420001-8 I got a...I am star{.ing to lose my focus here, but, I got it before. It's a..uh..I had a feeling of a center...a long center peaked line and then..like the shape of an airplane. Because back from this peaked line are two flat roof apendages on each side of it., which are rather sizeable, and so, it looks. like a center line and two wings sticking off of it. It sits right on the street corner...the notch in the building down by the left side of it has got some sort of a plaza in it. I had the feeling of a park plaza. Some sort of a thing sitting in the middle of it. Some sort of a weird thing. ~~6~.5 OK. L~Je have been going For a pretty long time. Why don't you relax and take a minute or so, and then we'll try to do .some drawings. I'll put this thing on pause. OK. 4Je have had a chance to relax here; and now why don't we go ahead with the drawings. ~k31 OK. Now the first impression I had put on the tape was that I was a familiar place but there was an interesting difference about the place. Being from my recollection that everything was reversed, ok. It was that everything was reversed. That is that th bunk, or what I perceived to be a double bunk, was .hanging from the right wall and not from the left wall. Like this.~...looking at it from the very end on..... and then, here in tt~e foreground was a large....or not a large.....was a small table. I perceived...or I felt that the small table had something on it like a lousy candle....huh....or a candle holder of some kind. Not necessarily burning, but.....like this....and that the bunks were in the background. .What have I done to the perspective, here? Screwed up the perspective, is what I've done. There. There's a corner of the room down there. That's more like there. But, this thing is not so big. Let me reduce that in size. That's my problem. Little cubicle in the back, right. f~1ore like Lhat. There we go. That's more like it. I'll get this right, yet, There. That's the cubicle. Like that.(Mumbling) inclosed. These are tf~e diFferences between this and an ea~:?licr session. I had the feeling that this cubicle was not..uh.. permanently enclosed, but that it was like draped off. As though it was in the French crapper from an earlier session, and that the prisoners had complained about the lack of privacy and therefore, tf~ey had been provided-with some sort of a curtain that would sheild them. I got the idea that that was not a permanent Approved For Release 2000/08/07 :CIA-RDP96-007888000800420001-8 Approved For Rele P96-007888000800420001-8 thing, but that had just bean ...popped in there. A room within a room, ok. But the reversal effect is that.....let me make that a little bigger, like that... these bunks were on the right side, ok, as opposed to having been on the left side which makes them opposite pf, what my familiarity would have said that they were. Barred window, austere type of a place. I had the same feelings of colci.....not frigid cold ....but cold .and dampness....uh....austere...nothing hanging on the walls....no....no what you would expect....nothing _like ornamentation or window....uh...picture frames or mirrors....or anything like that, ok. Just straight .. .clean. OK. Now, in this 'room you described one individual that waa in there with Paul Needham. . #~31 Right. ~~b.5 OK. And I showed you some photos...... ~F 31 This is the guy I sa.....I felt he was....had dark, dark curly hair, he had a full round face. I didn't get any feeling for him wearing glasses, or anything like that....uh....that he was about medium size. f?1aybe an inch shorter, but maybe 40 pounds heavier than Needham and a gold capped tooth on the left upper.. I just had this feeling of gold in his mouth..where I was looking. ~~6.5 OK. So I showed you some photos and the one I'm holding now is the one that you selected as being the .....ok Let it be noted then that the name on the back of this photo is h1ichael H. Howland. OK. ~F31 Well, at this time I was asked....trying to communicate with Neenan or Neednam or whatever his name is...who it .was that was with him and that's when I said Harold.... I had the name Harold come in...ok. ~~b.5 (Not understandable)....his middle initial. d~31 I don't know. 46.5 Yeah. We'll have to check that out. ~~31 So, anyway that was that. ~~6.5 That's correct.,,ok. Approved For Release 2000/08/07 :CIA-RDP96-007888000800420001-8 Approved For R P96-007888000800420001-8 . ~, ~~31~ - OK. That's where I was on that....ok, that's 1. #6.5. OK. ~~31 ~ Oh, and I had.....oh, ok, I'll put..I'll put..... What is his name? Needham. Needham there, and Needham said Harold was with him. Harold being the guy on-the top bunk, all right. ~~6.5 '. OK. ~~31 Needham didn't actually say that but that's when I was asking .....that's what happened. ~~6..5 I understand. All right. Uh....two. hJhat did I get then? Two was...uh.. ~~6.5 First you started talking about the far side about 40 feet, you know, upstairs staircase. ~~31 Right. OK. I had a.....let's say....first of all I put him....I thought that I was in the second to the last on this side of the blank wall, ok. So what I'll do is I'll draw the blank wall, here, ok, and, uh, here's..here's brick wall. That's the feeling I had ...like that. [3i g, E3ig size bricks, ok. Now, inside this next cell everything returned to what I perceived to have been my original layout. Ok. All right.... little bit less perspective on this one. Ok, let me fill in these things here. They returned to original what I thought was my familiar....in other words.. what I'm saying, I looked across the hall....across the hall is where I had been before and it's mirror image reversal, ok.....almost mirror image reversal. I won't try to figure it aut. I'm not even going to try to figure it out. Anyway, here was....don't draw lines when you got to draw something across it...there was bunk there....there was bunk there...here was window here....l~ere was square thing in the corner. there..... ol