SUMMARY REMOTE VIEWING SESSION C10

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900150001-7
• Release Decision: RIPPUB
• Original Classification: S
• Document Page Count: 21
• Document Creation Date: November 4, 2016
• Document Release Date: March 27, 2000
• Sequence Number: 1
• Content Type: REPORT

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INS COM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION C 10
1. (S) This report provides documentation of a remote view-
ing session conducted for training purposes to enhance a remote
viewer's demonstrated ability.
2. (S) This session appears to have a curious target correlation
factor in that the viewer's overwhelming impression of a facade
may, in fact be a primary component of the target wich was a
SG1B The remote viewer was very
analytical during ttle session and appeared to have difficulty
forming relevant images. He was undisturbed by ambient room
noise which was quite loud. Once into the session he was able
to "move around" the target well but his descriptions were
analytical in nature.
3. (S) The protocol used for this session is detailed in
the document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (5) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site. At
TAB B is available target data.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION C 10
#66: This will be a remote viewing session (edited
for security).
SG1B
SG1B
PAUSE
Its time now to focus your attention.
PAUSE
On the point on the Planet designated by the
geographic coordinate:
Let yourself become aware of those coordinates.
Let yourself relax and concentrate.
Relax, concentrate and focus and describe the
target to me.
+03 #1: I see what looks like some kind of a framing around
someone.
PAUSE
Like they're outside but they're sitting inside
something that's framed. They're sitting down
inside this, this frame.
PAUSE
Some kind of controls. Their hands are extended
forward but I can't see what it is that's control-
led.
#66: Move back away and get a larger picture of the
area.
+04 #1: I see funny buildings.
#66: Describe them to me.
PAUSE
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#1: They're . . This . . They're made of heavy stone.
#66:
#1:
PAUSE
Go on.
Very, very angular architecture.
PAUSE
Heavy block type structure. For some reason
I get a feeling of a university type atmosphere.
Center of learning or center of study of some
kind.
PAUSE
+06 I see a large courtyard. Predominant building
has got. . is red, its got red stone. Its . .
got kind of a unique. . I . . see a kind of a
funny entrance to it.
PAUSE
Its like the kind of entrance you'd expect to see
on a cathedral but its not a cathedral. Definitely
not a church, but its got that, that, that great
gateway type entrance to it. Heavy stone, heavy
doors.
PAUSE
I sense a facade of some sort except its decorated
to be . . to represent something that its not
or if its designed for some other reason and its
not being used for that. I just sense. . . . a
facade type feeling.
PAUSE
#66: Look through. . Look clearly through this facade
and describe the true function of this area.
+08 #1: Tremendous feeling of oppression. I sense. . I
sense a form of grandeur type architecture. Gild
edge architecture but very misplaced for some
reason. Its . . misused. It doesn't belong with
the. . It doesn't belong with what I'm feeling.
Its . . . I get the strong impression that its .
a very old building that's renovated but done
strictly from the classical sense. Its just. .
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Its renovated for show and its not . . there's
no appreciation.
#66: Okay.
#1: Seems to be a . I got a tremendous feeling of
oppression when I went into this building, just
a very demoting type feeling. There's a very
large portrait on the left hand wall as you
enter. Its either a portrait or I'm getting flashes
of a person for some reason. Its almost like its an
honorary type thing.
PAUSE
+10 #66: What goes on here?
PAUSE
#1: Strong feelings of functionary type things in
the building. I feel like the area is a place
of study, like a university or something but the
feelings of this building are like its a . . .
almost like its a . . I . . Terrible feelings
about this building. Its like an honorarium of
some sort, like it reflects revered thing for a
person or an object or a . . but its all - doesn't
make sense, its all like at stake or hard feeling
to describe.
#66: Describe your present relative position.
#1: Standing just inside the arch doorway of this
red block house type. That's a wrong term. This
heavy architecture, this place. I'm just inside
the doorway on the right hand side and I'm facing
the left wall and there's a . . I don't get a
feeling for perspective, but I feel there's a
large photograph displayed. . or something. Yeah.
Yeah. Its like, I guess, its like you're supposed
to recognize this honored or revered person or
object upon entering and its supposed to do some-
thing and I don't sense it does anything. Its
like falsehood, a facade of some sort.
#66: Okay.
#1: I don't know if its preserved for historical
reasons or what, but it doesn't fit for some reason.
#66: Okay. Let's move back outside this building now
and get a perspective of the greater schematic
of the grounds as it were or a greater look at
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+13 #1:
the overall area and perhaps look at some other
buildings other than this one.
Ha. Really. Its a large, square courtyard.
Very. . . The architecture is very, very heavy.
Its. . Everything's made of large blocks.
Courtyard is almost entirely encircled. I just
get a feeling of great immenseness in this court-
yard. The . . I see rows of windows recessed
between colonades for some reason. Its like
multi-storied buildings of an older architecture
with a . . decorative colonades all the way down
the face of the building and that these tall
double sided windows are kind of recessed between
the colonades. But I have a distinct feeling that
there's a study or a university type function. I
don't know why.
PAUSE
+15 I see what, to one side what appears to be a . .
decorative walk like the edge of a well-manicured
park or garden but its completely desolate. There's
nobody there hardly. Again, I get this, this
tremendous false feeling for some reason. Like
its eye wash.
#66: See beyond the facade, see beyond the falseness
and seek the true meaning of this.
PAUSE
+17 I see a tremendous disillusionment for some
reason. This thing was made for people but was
never really meant to be used. I don't understand
that. It was contrieved for people but the people
aren't meant to use it.
#66: What then is using it?
#1: Nothing. Desolate. Its just . . Well, that
doesn't make any sense at all, but that's all I
get. It was made deliberate. It was deliberately
designed for people, but they don't use it. I
don't. . . Tremendous uncomfortable feeling about
this whole thing.
PAUSE
That's not the predominant thing in the square
anyway, its . . I'm getting side tracked I think.
I think the true target is the imposing structure
with the arched doors, the red stone. I keep
getting onion shapes for some reason. Look like
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onions with sprouts on top.
PAUSE
Flocks of birds. Don't make any sense because
outside of that one small strip of park like area
there's . . its kind of . . stone and pavement
type area.
PAUSE
I'm trying to . . see what kind of a pattern
there is to the courtyard, but . . sort of like
a rectangle with a circular radius. Smaller
circular radius. I get a very heavy feeling
about this target. Sort of a depressed feeling.
PAUSE
I see an object that's sort of a half-moon shape
with a center section cut away in upright loovered
doors. I don't . . .
PAUSE
Kind of openings. Tall linear opening. I don't
know what the function is of this thing here.
But I got a feeling its the only thing with color.
PAUSE
That's really about it.
#66: Okay. Move up in space about five miles above
the target and describe the terrain in and around
these buildings you've described to me.
+20 #1: City. I sense heavy industry and city around it.
Some farms. There's some rather large farms.
Very large farms. There seems to be a . . looking
down, I get more feeling than I do. . as . . a
strong feeling that this is the center of a culture,
maybe a capitol or something.
PAUSE
Mostly wide open flat plain area all around.
Just huge farms. Incredibly huge. Rows of
tractors. Large flat buildings.
#66: Okay, come down closer now. Come down from that
altitude much closer so that you can see just the
immediate adjacent things to this courtyard area.
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Look around the immediate adjacent area from an
altitude of about 1 mile and describe that area.
#1: Large park. Almost enveloped in 3/4's of the
size of this square. . buildings. This area of
buildings. I don't see a lot of automobiles for
some reason. Very little traffic, I don't see
any vehicles. I just sense that there's very
little traffic.
#66: Tell me more about this area that surrounds the
courtyard buildings.
#1: Lots of manicured trees. Long straight walkways.
Park benches on both sides.
PAUSE
+23 I just get the feeling like this stuff's designed
for people but its a no-man's land for people.
One of those you can look but don't touch type
atmosphere. Almost like its been built as a
decorative buffer type. That's a good description.
Decorative buffer.
PAUSE
#66: Beyond the park area. Look now beyond the park
area and describe the surrounding area.
#1: Safe. Quite a few modern buildings, but still
some heavy architecture evident.
PAUSE
+24 #66: Okay, review the images in your mind and prepare
to draw.
#1: I don't like this target.
#66: Explain your feelings.
#1: I don't know, its . . I just had that very strong
feeling that all this is . . that the. . what I
would consider pleasurable things were designed
for people but its more to keep people away than
. . . or they're not allowed to share in it or
something. Its eye wash. Look, but don't touch.
Depression.
Almost a pscyhosis about it. Very heavy feelings.
I don't think I'd appreciate living there to tell
you the truth.
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ET
#66: Okay, let's see what you can draw here.
#1: Most of its going to be courtyard and that. .
There's a . . I get this design shape looking
down.
PAUSE
This courtyard type area and it only goes about
here on this edge and for some reason that's a
complete washout. I don't know why, but . . I
want to say, this is like a courtyard.
PAUSE
I have a feeling that I . . I sense this now,
I feel like that the target is actually this,
this structure that's made of huge stone blocks.
#66: Now is that in the courtyard?
#1: Its in the courtyard. And there's . . back in
this corner somewhere is a very large. . like
stone arch entrance almost like you would see in
a cathedral.
PAUSE
This is not a very good drawing. This . . This
session scares me a little bit because I don't
normally get this much detail. I've had really
good sessions but for some reason I just feel
like this isn't really a super session. And
there's some stone steps that kind of lead up
to this. But there's very heavy doors. I didn't
see any appearance of black. These stones are
definitely red. And heavy. And inside, if you
were looking at the face, looking down, inside
these two heavy doors, like a staircase. Very
pleasing architecture but for some reason a very
heavy feeling. There's a wall here as you go in
and on this wall is a huge dias or however you say
that, like a display type thing and its either a
picture or a picture photograph of some person.
#66: Put an "X" in that hallway entrance thing where
you were standing. Just indicate by an "X"
where you stood.
#1: Right here.
#66: Okay.
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#1: And this photograph . .
#66: An asterisk - is that what you put in?
#1: Yeah an asterisk. Was very imposing. I would
say. Probably eight by five feet. And there
was just a very stern expression person.
#66: Did you recognize this sterned expression person?
#1: No, but he was. . I didn't see any hair.
He had a beard.
#66: Okay.
#1: He had a beard and a moustache. Very rugged.
That's beautiful. Ha ha ha ha. (Not audible)
when they see this picture. That's 2.
PAUSE
Sort of like Lucifer.
Three, I saw long walkways here. Decorative iron
fences. Wood slats. These were all the way down
the walkway on both sides. Both sides were benches.
And the grass was neat and there was manicured
trees. And it was completely devoid of people.
Like it was designed for people but nobody there.
I kind of had like a . . just an empty feeling.
PAUSE
This was kind of . . you know, I kind of feel like
maybe this part of the courtyard might have even
opened on to this park but it surrounded 3/4's
of the area and its kind of hard to tell where the
courtyard left off and thepark started. Because
I just kind of drifted down the edge of this court-
yard and saw this like. . its greenery but then when
I came down from very high, I saw park. You know.
Its kind of hard to differentiate you know, one
from the other.
Oh, I did see a row of actually it was two rows
it looked like a two story building. Again, very
heavy architecture, heavy stone with decorative
colonade type designs all the way down the side.
Pairs, in pairs. This type of thing. With very
tall windows with rounded tops like.
#66: Where was that in relationship to this.
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#1: These line the courtyard.
#66: Okay. So this. .
#1: There are two stories as well.
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#66: Okay. Now, give me another sketch of the courtyard
and kind of show in the courtyard where these
buildings and this other original building is
located.
#1: I might have trouble with that because it seemed
like. . I'll do a real light outline of this
courtyard.
#66: Okay.
PAUSE
#1: It seemed like this.
#66: Put Number 4 on this page, so courtyard on Page 4.
#1: Okay. It seemed like the imposing structure that
I went into - that's not right. Was like this at
one end of this courtyard.
#66: All right.
#1: And there might have been a street entrance on
both sides of some sort. But it had steps. . .
rather maybe even a circle type drive in here, but
it was all pavement and stone and these colonade
type things might have been buildings down both
sides like this.
#66: Um hm.
#1: Like that.
#66: And again, what's your overall feeling for this
little. . this courtyard square and this . . .
#1: I get a feeling, well, I get mixed feelings.
Parts of it are facade. They're . . I get strong
feelings that they're been redone, refurbished,
populated with people and its all meaningless.
Its trickery or something. But there's other parts
I get the feeling like there's some, some study
or some conscious endeavor at something that's
going on. A university type atmosphere.
#66: Okay.
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#1: And the park, I get the feeling like that's a
buffer to the whole area but I don't know why.
Like it was designed specifically to be pleasing
to people, but people don't use it.
#66: Okay.
#1: And that's literally it. Its fascinating. I
have no idea what that is. Oh, there was some
. . . some of these onion shapes. They seemed
to be like the profusion of them. Big, little ones
and small ones. I don't know. That's Page 5.
#66: Does that have any meaning to you?
#1: No. They just look like onions with sprouts.
I'm probably seeing onions with sprouts. Ha ha ha.
#66: Now, I'd like to have you give me a sketch of the
areial view. . that you. .
#1: Put that down here in the corner of Page 5.
#66: The courtyard, then. .
#1: Well, there's a river running like this.
#66: Okay.
#1: And there's like park. This courtyard's over here
like this. That's enclosed in a city. The entire
thing is on a flat plain type area. There might
be some roll to the ground but very little and just
some periphial industries but mostly farms. Just
huge farms with rows and rows of tractors.
#66: Okay. Is there anything else that you think you
want to add?
#1: Yeah. I don't like the target.
#66: Okay and again, you don't feel good, you don't
have a good emotion about this?
#1: No, I don't at all.
#66: Is there any other descriptive data that you can
tell me? What's meaningful about the target that
gives you this ill feeling?
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#1: Just like. . just almost everything about the
target says that things are there that are made
that are. . that are developed is not a good word.
Things have been done in the classic sense for
preservation that are meant for human beings to
enjoy but aren't enjoying. Its like you would
go into an old building completely reconstructed
the way it was 150 years ago just for the people.
And then, for nothing. Either the people don't
enjoy it or they are not allowed to or . . Its
just like its all some form of fakery or something.
Some ridiculous scene done just for eye wash.
#66: Um hm.
#1: I guess that's what bothers me about it - the
target.
#66: Okay, that'll do it then.
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TAB A
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I
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?????
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- It ?
????
C=Z1
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to-N
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1
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TAB B
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SG1B
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