ON THE 'DAY OF THE MINER' 1955

Document Type: 
Collection: 
Document Number (FOIA) /ESDN (CREST): 
CIA-RDP83-00423R002000390002-5
Release Decision: 
RIPPUB
Original Classification: 
S
Document Page Count: 
3
Document Creation Date: 
December 23, 2016
Document Release Date: 
July 26, 2013
Sequence Number: 
2
Case Number: 
Publication Date: 
June 20, 1955
Content Type: 
REPORT
File: 
AttachmentSize
PDF icon CIA-RDP83-00423R002000390002-5.pdf171.51 KB
Body: 
Declassified in Part- Sanitized Copy Approved for Release 50-Yr2013/07/26:CIA-RDP83-00423R002000390002-5 Central Picture 20 June 1955 50X1 On the "Day of the Hiner" 1955 How the "white gold of the earth" is obtained Kaolin, a clay-bearing mixture of #eldspar and quartz, is called the "white gold of the earth." Kaolin is an indispensable raw xm material without which porcelain, rubber, paper, ,And many other chemical products Would be impossible. In both open-pit and underground workings, 850 miners in the Kemmlitz kaolin works (Kreis Oschatz) are extracting the "white gold" from the earth. Three times already this out-of-the-way enterprise, previously unknown to most people, has been the national winner in the com- petition and has received the award flag and a cash bonus. The Kemmlitz miners decided at their first economic conference to produce this year 5,000 tons of kaolin in excess of the plan and to return to the state treasury 100,000 DM of state subsidy funds. Picture 3 - 4 weeks, the economic shows: Formerly, the general overhaul of an excavator took which meant a considerable loss of production. Encouraged by conference, the fitters in Plant 3 pledged themselves to carry out rapid repairs. By mxxxx making precise work studies, drawing up a detailed work plan, and holding thorough preliminary conferences, they were able to set the time for overhaul at 13 days. Then the workers reduced the time and then to six days. Herbert Frensel (right), leader of a fitters' and fitters Wolfgang Jung and Gottfried Sproessig are shown in front to eight brigade, of an excavator at the "Karl Marx" open-pit mine; the excavator is to be repaired by the rapid-repair method. 1 Declassified in Part - Sanitized Copy Approved for Release @ 50-Yr 2013/07/26: CIA-RDP83-00423R002000390002-5 Declassified in Part - Sanitized Copy Approved for Release 50-Yr2013/07/26:CIA-RDP83-00423R002000390002-5 " The Resounding Workshop in itterarkx, Eisenberg keyboard Manufacture of historical kexmi instruments by the privately-owned Ammer enterprise in Eisenberg, Thueringen Closely connected with the XElliK music of the old masters are the in- struments of their time. Only with these instruments can a living sound picture be completely achieved. Today, the Ammer firm in Eisenberg,ie the A 1 k:..4_,/ only acelin the GDR elimirprovides a number of modern reproductions of 43 ) 4 historical keyboard instruments isoeminessiseasmiras the demands of serious ta-A or the rendition CL.11 WMINIM musicians for instruments which accurately reflect time style, especially AMP Le.414)- of baroque music. Serving as models for these iistorical instruments are C.01) the most beautiful of the available master instruments, such as Auckers, .,,,..d..., C-ItI\ Silbermann, and the Berlin Bachfluege3015ach piang. r0 Because of their fine quality, the cembalos, clavichords, and spinets ef. LL.2..flsr having delivered one instrument to Czechoslovakia et:I are known far beyond the borders of our republic. Just a short time ago-if-- Wawa the plant received an order to deliver an additional ten cembalos, 31 218/1 N Picture shows: The cembalos and spinets are being made of veneered wood. For the subsurface woods, poplar or linden is used for the covers and pine or spruce for the sides. High- grade woods -- nut woods, cherry, and others -- are used as veneer. Konrad Merkel has removed the cover for a spinet from the veneer press and is tmmilimilmidem examining the surface. 31 218/2 N Picture shows: Himmelreich, who makes =mix sounding boards, is working on a cembalo, Bach model. In the picture one can ?,Lthe sounding board glued to the stops; see\ morkkeximflupWombcsmendowimani4illiesreitimeii the side pieces staa..41 ba-avet, are glued. Max Himmelreich is marking the points for the A attaching rods. ..uurr Declassified in Part - Sanitized Copy Approved for Release @ 50-Yr 2013/07/26: CIA-RDP83-00423R002000390002-5 Declassified in Part - Sanitized Copy Approved for Release @-O'-.Y.72.-513/07/26 CIA-RDP83-00423R002000390002-5 31 218/3 N Picture shows: "The instrument puts its dress on." For a cembalo, Bach model, with two keyboards, the part surrounding the stops is glued. Instrument maker Fred Kuettner is cleaning the form for the stool framework. 31 218/4 N Picture shows: One of the most important parts of all quill instruments is the cover, because on it is the leather quill which plucks the string and thus produces the sound. Preparing the cover for installation requires great finger dexterity and precise work. Before Else Boehm, who has had ten years of ex- perience at this work, lets a completed cover out of her hands, ,xfpt she checks over her work one more time. 31 218/6 h Picture shows: Tuning is the last job done in the manufacture of an instrument. Hugo Eichhorn is tuning a spinet which is to go to the People's Music School in Cottbus. 218 31 221/7 N Picture shows: The rosettes, hand carved by a carver in the iijrzgebirge, carry the trade mark of the manufacturing plant. 31 218/8 N Bauer, owner of the plant, tries out a Silbermann-model spinet destined for the Baerenreiter Press in Kassel, together with two members of the Eisenberg Chamber Music Circle, in a trio with violin and flute. From left to right: Plant owner Willy Bauer at the spinet, music teacher Fritz Winkler, and plant bookkeeper Erich Oettel. 50X1 Central Pictures 20 June 1955 3019 Foreign 1.-e1ease 29 June 1955 S?;47r tilikL n.ri.ifipri in Part - Sanitized Copy Approved for Release @ 50-Yr 2013/07/26: CIA-RDP83-00423R002000390002-5