SUMMARY REMOTE VIEWING SESSION CC55

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000800460001-4
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 28
• Document Creation Date: November 4, 2016
• Document Release Date: May 22, 2000
• Sequence Number: 1
• Publication Date: August 1, 1980
• Content Type: REPORT

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Forelr;-.
ORCON/NOFORN
CLASSIFIED BY: DIRECTOR, DIA
DECLASSIFY ON:
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301 C (3) (6)
GRILL FL
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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#66
+05
#31
+07
#31
#66
#31
REMOTE VIEWING (RU) SESSION CC55
This will be a remote viewing (RU) session
(edited for security).
For the past few minutes now, you've been
studying a photograph of an area. Focus your
attention now on the building designated as building
1. Relax and concentrate. Focus your attention and
describe the target to me.
Got a...
Got a feeling of a wall with ...windows..s...long
wall...back where I started is...wall makes..uh..
had piece cut out. of it. Little bit of overhang.
Are you outside or on the inside?
I'm outside.
On the far side of the photo, I..uh..somewhere on
..on the side of the-some sort of a..uh..looking
at it on the left end..uh..some sort of a large
indentation in the face of the building like a covere
+10 entrance walk-in. A big abutment on the left side
of it.
#66 Look down the wall and describe it to me.
#31 The wall?
#66 Tell me about it.
PAUSE
#31 On the right it has..uh..looking back that way, it
has only slight overhang, no..uh..embelishment other
than windows. But, up there near this entrance
hallway, or something, I get vertical feelings like
..uh..there's some sort of an entrance, or porch..
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uh..with just some 4x4 posts that are there for
ooks. To hold up the roof. They don't really
old up the roof. (Humbling) for a porch but the
that really makes porch is that the main walls of
the building pulls back in and under the roof. On
the left side is large stone..uh..or cement wall
ith no embelishment. On the right side as well.
'You step in...what I want to say...you make a right.
you go in this thing about 4 paces.
#66 Before you go into the building, now, stand in this
entrance way and look out away from the building and
describe that area to me.
+14 #31 What I'm doing now (pause) I see..uh.. straight
ahead, I have only..uh..an open area with a..uh..
few large trees in it. They're..uh..the right side
of the trees appears to be something flat on the
ground.
#31 It's..uh..gravel..uh..walkway of some kind or..uh..
I want to say is..uh..gravel walkway, or roadway
#66 Move back....
#31 Where is it?
#66 Move back to the entrance way now so that you can
see it in its proper perspective.
#31 It's out there but it..uh..more of a walk I think.
It doesn't appear so big now.
#66 All right. Fine. Now, standing there in the
entrance way before we move in through the building..
before we do this stand in the entrance way and look
around the area outside for personnel...outside the
area. Take a look around on this side of the building
for personnel standing in the entrance. Take a look.
#31 There is..uh..to the far left I keep being attracted
to..uh..a wall on the far left which has..uh..looks
as though it has..uh..bushes and things along the side
of it, but, it's back beyond where I started. But,
I want to say that there is..uh..a little curb or
something along the base of that wall, and that..uh..
there is a..uh..person squatting on this curb ..
sitting on this curb not quite with his back against
this wall .... but.....the more I look at the more it
looks like a little terrace.-than a curb...uh..
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This place is..uh..40 feet out from the-from the
building from where I started along the wall, there.
#66 All right. Move to this new place momentarily and
examine closely this individual. Describe his dress
to me.
#31 He has..uh..a brown..uh..sweater thing on-One of
those really..uh..big..uh..turtle neck collars.
He has sneakers on. Some sort of dark trousers which
are long..uh..long in the heels and drag.
#66 What is his purpose for being in this location?
131 He is a sentinal or guard. He's..uh..goofing off."
66 What is the input that makes you say that?
#31 I think he is. He's..uh..weapon is uh...I keep
getting him now like a half reclining leaning back
with his weapon laying on its side and under his
right elbow.
+23 #66 Describe the weapon to me.
#31 Uh..I can't get a feeling for wood on thi hing..uh..
it appears shorter thin others have been .all plexi-
glass..uh..fiber glass..black..uh..I'm etting a..uh..
strong feeling it'sa..uh..a 16 or h..AR 15..no
a 16 because I..uh..feeling it's 06rter than those
FALs and..uh..has a triangul orward..uh..barrel
grip guard combination..
##66 All right. Very good. Move back to the entrance way
now. Move back to the entrance way, face the building
and look into the building and describe this scene as
you look into the entrance way.
#31 I lost my focus for a minute. Just a minute. I'm
trying to get back where I was.
#66 That's fine. Relax and concentrate. We'll wait.
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#31 All right. Walking along the front, behind the
window in the cubicle of the entrance way looking
in I had the feeling of a..uh..business office.
Number of desks set up. Desks set up.
#66 Ok.
#31 Trying to figure out what makes me say that.
u
ee g
umbling) office
?.
I'm inside now. Looking out these win ows..
appear...... lower now that outside ..uh..they
appear almost down to desk top level or beyond.
F lin of a rather modern business office here.
ee ing
like..uh..first impression was like a"~ofiusiness.
Tnau...zLgency.- That was just a feeling I have. Have
number of two, three desks along the window ,.-...O.ne... .
behind the other with their ends against the window
so that they look forward my direction. Feeling of
a..uh..a counter in here, somewhere, with a waiting
area and chairs along the back of the waiting area
along the wall..uh..not a big counter..like..uh..
desk sergeant counter but a waist high counter wood
that goes 20 feet. You get in here with a single
door, back, glassed in. Alot of glass in it. It's
in the back of that. Funny entrance hallway but it's
on the right side of it. As you come in you have to
go to the right.
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#66 All right. That's fine. Relax and concentrate now.
Later you can draw for me where this area is in
relation to the interest of the building. At this
time relax and concentrate. I want you now to search
the entire building for people. Search the entire
building for people. Move now, at your own pace, and
locate people.
going on in a room. I had a
PAUSE
I have..uh..a feeling that..ih.. (pause) down a hall
and on the left side of the fall there is something
itti
ng
.an image of people s
re looking at something
oscope. A CRIr or something
s place. They have documents
esearching or reading or
r
ey have equipment there that
,
read and look for something.
helps them reserch an
looking for something. T
of papers outd they're
like a..a reader or a oscil
I think there Ere two in th
and working as though they w
#66 All right. Move to another area now in your search
for people.
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+40 #31 Somewhere in the back of the building I have a group
of people, maybe six or seven, I have a bald man...
but they are.. .image I have is that these people are
sitting around a table. The first impression was,
it was a round the table... Let me try to put some
sort of order to this imagery here. It is at the
other end of the building from before and..uh..I have
the definite feeling this is a ..a room that has.. h.
11 tracked room dividers which separate it off like you
f
Th
ee ig
e
would rind in a hotel or a restaura lt.
at these things are ceiling to floor, gray
accor i-a .is-...that_._g M-zrt'-tracks in_,here to clg
off a small room. In this place, I have defini?edfeeling
irs are modern chairs with an S
h
th
e c
a
of people now..
shape leg. ...single leg. The discussion being held
here is
Interesting. My feeling is that this is political
discussions being held here.
+45 hThey..uh.. I get a mix.....a mix bag.__.__Possibly
three.....I give you what I've got. I've got maybe
three or four prisoners. They are 'not bound or
a thing. They are sitting _y,fale- then there
three Ut ers"who-are students sitting at
the table. I had the definite impression or the
thouciht flipped through my mind that not that these
people were collaborators but that these students
were singing ou peop e or conversation and
political argument and also attempting to obtain
a feel for what has been happening from these
prisoners from an American point of view. Sort
of elicitation to get a feel for American
perspectives.
#66 Tell me some more about the prisoners that have
been chosen for this discussion.
#31 One man that strikes me..uh..is a a balding.. .bald
man on top and he is..he has a beard and a rather
almost cher (phQ0etic) faced. He is ..appear
to be mi or early 40 is all. And, appears to be
a..um 175 and it's hard to tell with him sitting.
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Maybe 6 feet. 5 11, at the most. He's sitting
with his hands on the table as though he is
fiddling with something with his fingers. Like
one does when one talks or listens. Like a paper
clip or something weird. He's on the left side
now to me. The next... Let me drop back and try
to get another image there.
#31 I keep wanting to put a woman at this table. She
has a....
#66 A woman hostage or a woman student?
+53 #31 Hostage. She has a shoulder length (pause) she has
a roundish face and a jaul. I have this riding of
a freckled complexion. Not blotched but freckles
and a sharp bridge of the nose. I see here with
just above shoulder length hair. Wanted to put
her there a sitting back a little ways, but, still
like leaning back in her chair.
#66 Ok. We've been at this for quite awhile now. I
would like to give you the opportunity to add anything
that you would like to add now and then prepare to
draw the ides that you've had.
#31 I've got a backache. There is another....I'm sure
there is another man here that is a hostage as well.
#66 Ok. Now we'll draw the perceptions that you've had
of the target.
#31 Ok. First (pause) I had the definite feeling where
I started out I had the feeling I was at the right
end of the building where the notch is cut of it.
If you follow what I mean. There's a notch in the
building somewhere. OK. Feeling that there were
series of low windows along this side here. OK.
But, that then on the left side of this I had the
feeling that there was a little bit of a porch
developed... porch type structure developed, ok.
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Main part of the building continued along like this.
And, (pause) there's a break in it. And, that break
is the hallway I was talking about, ok. The hallway
goes back in like this, ok. and this is all covered
over of course. Like that. Let me see if I can
..... ok..... and there's where the door is, I was
talking about. There on the right side. Like that.
Ok. I had the feeling that back in here was dark
that the left....that's what I was talking about.
id
i
bi
thi
h
f th
ildi
T
b
tt
b
h
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ere o
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ress
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ng
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no....on the left has no windows, or anything,
it's like sta.... I had the feeling I was standing
along side of one of these yr modern, out_
;/Fireplaces that are on the back of the house and you
come up next to this thing, and you just have this
...this massive feeling of just a blank, brick, solid
massive thing on the left. OK.
#66 Which would be directly across from the doorway.
#31 the door. Right. From the door: 0k. And I
had a linear (phonetic) feeling as though hiii-s. small
porch ...nominal porch only..... just a little ra
' cover ....was....was nominally held up by 4x4s or
about that size. I couldn't tell if h awes round
squa~ttr Te u ['o? ome posts here, in the
foreground. When I went back of the hall that I'm
drawing, I looked out and I saw them again.
#66 So we have this hallway, that you call, or the
entrance that actually goes in there, is actually
like a piece of the building goes back in, and
you have to take a...you go into that piece of the
building that is missing, and then take a right
to go into the door to get into the place.
#31 Right, Right. Correct. I did not perceive any
other doors back there. Just the one on the right.
That's all I am going to draw because I wasn't
paying too much attention to the roof. A little
bit of an overhang over the top of the windows
on the main side of the thing. That's one.
Now, I'll draw an overhead in two. Like that.
Along the right side, I didn't see anything back,
along the right side I had the feeling there was
a wall that went out and was somewhat of a..somewhat
of a ..how do you describe it..a hill with b..v?
planted along this wall and this went on like tjis.
Out, about here, w_as ,a, .guy.. ski crn "th~ul-l1ttl~f tent ce
't7"ie atom of this wall. In the Xs is
the marks were roughly where the guy's position is.
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He was sort of goofing off, you know.
#66 Ok. Why don't you draw a little.. .guard position
or sentry position.
#31 I'll just put squatting guard because I had the
feeling he was sort goofing off for a quick smoke.
Maybe he was blowing some hash. I don't know.
I'll draw the dotted line here because I'm not too
sure this is the porch area and a couple little
things....feeling of windows, inset, but windows
are drawn here .... on the right side. Now, I had
the feeling of a trail or a.... well, it was more
a feeling of a gravel path somewhere to my left.
So when I stood out here on the porch and looked
out, I could see a tree here and another tree
behind it. Sort of in a row, pointing to the
building but partially hidden but I could see
across this open space, over to the left of
number two that there...it felt like a gravel
path and I would like to say that it was...it was
a gravel asphalt combination. It wasn't really a
gravel pass that when you step in it your foot
sinks in, but, a path that's gravely and rough, but
solid and that it got little curbs....1 had this
funny feeling it had little asphalt curbs along it
to sort of keep the grass out. Little tiny asphalt
curbs.
Continuing to work on two then as the overhead.
I had the feeling that there was a counter ...How
am I going to do this? Jhpre.ups a door behind me.
h re.
There is SO t111hg there. This is -laci
That wad.-1`goes along here. Here are chairs. Vike
waiting chairs. Here is the counter. Thsi ing
re
h
e& we
is probably out of proportion. Along
the esks. I'm not saying that's_ ?56"ale here.
Let me
#66 Ok. Draw me some arrows to those desks.
#31 Feeling was like this. I'll go..three is an
interior shot..ok..foreground..shot..counter..
goes off in the distance like this... The door
....the wall:,,.-.the?chairs-:..sitting along this
wall. ..here's the counter. Nov, this is- he door.
Glass. door. Aluminum frame, modern type door.
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This thing is indented so that.. .How do I want to
indent it. This wall is a box in number two. You
will notice there's a dotted box here. This wall
here, number three, that's right inside the building
is the edge of that box. So there's something....
There's a box there that cuts everything off. In
the back is the wall. A feeling of a long and low
window which, when you get right down to it, I believe
is just this first window here. It's probably
another room right here. Like this. Here is
(pause)...here is where the desks are. Come on
#31 you can draw a better perspective than that.
The tops of the desk are almost along the window.
PAUSE
I would say that there might be several other desks
there.
#66 Ok. That gives me an idea where this entrance is
....what side of the building this entrance is
in relationship to where this room might be in the
complex. From this point I asked you to look for
some people, and you found yourself in an area where
people were reading something.
#31 They were_researcfiing, reading. They had equipment .
They were looking and digging. My firs~imRression
was that it was computers they were sitting -t.
,, rpWe sort of a computer ter t ~" hetfi; ,?`t ie
d
st-
files and looking for dirt and records an
#66 LOk. Is this in this room?
#31
#66 A different room.
#31 Yeah. Tell you what I'm going to do here. There,
that's more like it. I think that there's..... a wall
goes up like that. What I ended up with is. ..walking
on two.....on sketch two I'll put an X in the rough
area of where it is. I'll call it X sub 1...is where
that place is.
#66 The other room ere they're reading. So they're
....so betwe here, and here there are partitions.
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#31 Right. The room with the reading stuff and
everything. Right. I had to go down the hall
and everything else. But rough guess....uh...
as though I was standing at the door...... I'll
put a little map here .... as though I was standing
at the door .... here in the foreground is the
counter ...... here in the background ...ok...there's
a hallway there.... counter ...... come on #31 you
can do better than that. When I started to look
for people, I went this way because there was
nobody out here in the forward area. Nobody out
here in this central ......where the counter is...
everything else. So, I went across the room,
katty corner, like this, into the left foreground
of three, which is into this hallway. All right."
Having been shown the overhead imagery....the general
structure of the building I had the feeling that I
was cruising down this hallway and that I got pretty
darn near to the end of it and then made a left.
The left...the idea .... the left which is going out
on the left wing of the building...the far wing of
the building is where I was being drawn. Is where
I was going. Suffice to say, I went down the
hallway, I was drawn on...a wi...out off the hallway
to the left, ok, and in that, then, picture here
is doorframe right.
#66 Moving to page five.
#31 Five, right. Here, I had a feeling of....feeling
of a window .... on this desk thing...this goes
around two corners, I think, was..uh..I thought
...technical things went through my mind.....
computers, radio, microfish reader, records. This
kind.... all these things came through my mind because
there is some sort of ...a piece of equipment there
sitting up on this desk which is electronic. I
had the computer feeling..... feeling was based on
a feeling that these guys...they were looking at
a cathodray (phonetic) tube of some kind. They
were sitting out here in the foreground. Guy was
sitting... feeling like...he?-was holding open' s big
manual or was `fending something. He's sitting here.
The other guy...the other person had their back to
me a gdwas 'Tike this
sitir)g,there_.baking at-it
guy was reading, and he was reading and they all
trying to dig up garbage. They were trying to find
out more about what goes on. .
#66 So let me reiterate here. I asked you to go look for
people and you found yourself going down the hallway
10
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being drawn to the left and then looking into
a doorway in which you saw this technical thing.
#31 Yes. And, sitting reading manual or messages.
Here's another guy...ok...another guy sitting,
working in...on..uh..microfish...CRT, computer
terminal or the like. That's this guy, here.
This guy's like helping him out. Both in there.
That's their project. That's a window. Uh..
I got a feeling for massive papers laying all over
the place. Books and papers very disorganized and
jumbled .....somebody had been working there for an
awful long time ..... papers strewn all over desk.
That was somewhere down in...on sketch... I'm
sorry somewhere on sketch was in the far upper
right corner of the building. All right. Then
you started me looking for more and I..uh.. came
back out the hall. tried to look right and left
at the same time..... got absolUtaly,?fi?eling for
`
w g a
,d~ii-irrr'tl)-a
anyone
,,
-gii yyend . of the building. Now, as I came
'hark into what I thouqht was the, ...the tour..'t
area and everything... the travel area, the counte
everything stayed the same. I..uh..but the left,.
- area
began to
b
a
take on a new..began to _11