SUMMARY REMOTE VIEWING SESSION LXXXI

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R000900420001-7
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 22
• Document Creation Date: November 4, 2016
• Document Release Date: June 17, 1998
• Sequence Number: 1
• Publication Date: January 1, 1978
• Content Type: REPORT

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ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON : 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION LXXXI
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The viewer's impressions during this session appear
to show no target correlation, except for the emotional
component. During the session the "beacon" was inside a
small electronics store and was under surveillance continuously
by store personnel. The "beacon" felt out of place and suspect
throughout the "on target" time. His anxiety level was high
and he was nervous. These sensations seemed to be perceived
by the viewer during the session. Ambient room noise dis-
turbed the viewer during the session. During the post-session
visit to the target the viewer did not identify any of his
drawings or imagery with the target. He felt he had "missed"
the target and possibly identified with a chinese restaurant
several doors from the electronics store in the same shopping
complex which has a sign displaying a pagoda or gazebo. The
name of the restaurant is The Pagoda.
3. (S) The protocol used for this session is detailed in
the document, Standard Remote Viewing Protocol (Local Targets)
by Harold E. Puthoff,and Russell Targ, November 1978.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB B are photographs of the target site.
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REMOTE VIEWING (RV) SESSION LXXXI
#7.5: This will be a remote viewing session (edited
for security).
Its time now to bring your focus to bear
upon #11. Focus your attention on #11. #11
is at the location for today. He's at today's
target. He is observing the area. He's
interacting with the target. Look at the
target with #11. Sense the target with #11.
Feel what he feels. And describe the target
to me.
PAUSE
#8.5: Long, flat top overhang.
#7.5: Okay.
#8.5: Building.
PAUSE
White trim. I'm seeing circular. . .
#7.5: Go on.
#8.5: Oh, I thought it was . . . I saw a gazebo
shape structure and I was just throwing it
out.
PAUSE
+04 #7.5: Stick to your raw impressions.
#8.5: Yeah.
PAUSE
Water I think, shimmering blue. Circular.
#7.5: Good.
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#8.5: Flower petal pattern. Could be under water.
#7.5: Let the image in your mind form a complete
picture. See #11 at the target location.
Let it be a complete picture. See #11 there.
Picture and describe #11's position.
#8.5: I can't see, but I feel. . near a circle.
Or lookingat a circle.
#7.5: Is he alone there?
PAUSE
#8.5: Fifty or sixty feet away on his right, people.
PAUSE
+06 #7.5: Is he inside or outside?
PAUSE
#8.5: Outside, I think.
PAUSE
#7.5: Tell me more about the target.
PAUSE
#8.5: I'm trying to make it fit but it don't all
go together.
#7.5: Its not necessary for you to put it together;
just tell me the pieces of the puzzle.
#8.5: A beam. . sticking up straight towards me.
Kind of levered.
PAUSE
+09 #7.5: Describe your impressions to me.
#8.5: I don't know . . . .
PAUSE
All right. I . . . anxiety. Nervousness.
Uneasy. My pulse quickened.
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Ask yourself what caused this reaction.
+10 #8.5: Ahhh. . . Somebody saw me where I wasn't
supposed to be.
Sixty feet up. I see a circle and grass
beyond.
PAUSE
Trees. Maybe pylon post.
PAUSE
#7.5: Describe your position to me.
#8.5: About fifty feet up now.
PAUSE
#7.5: How do you come to be fifty feet up?
#8.5: #11's not up here. I'm just up here floating
around.
#7.5: All right. Look straight down.
#8.5: I am. I don't feel good though. I just
felt like I was queasey.
PAUSE
+13 #8.5: I'm on the ground.
PAUSE
Can't get away from that circle. I don't
know why.
PAUSE
#7.5: Tell me more about the circle.
PAUSE
#8.5: Wait a minute.
PAUSE
I see somebody I don't know. Its not #11.
3 ' 4 r% rT
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#7.5:
Describe this person to me.
#8.5:
Man.
#7.5:
Tell me your perceptions.
#8.5:
There are so many.
PAUSE
+15
#8.5:
A corner of something. Portion of a 90 degree
angle. Possibly wood.
Its overlay. Seeing slate roof. Nearby at
the circle.
#7.5:
Tell me more about this circle.
#8.5:
Can't figure it out.
#7.5:
You don't have to figure it out, just tell
me about it.
(Not audible) flower petal shapes maybe. I
think they're under water. No place around
here like this.
#7.5:
Just tell me the pieces to the puzzle.
#8.5:
Vertical. . Vertical. . Hmmmm. Decorative
patterns. Maybe posts, pillars. . just for
looking at.
I have a distinct feeling that . . two palms.
Oh, okay. Oh, this is crazy. I think someone
with palms on the windows looking through
the window at me. Palms are on the glass and
I see the palms. Woman.
#11. . . wall or railing, right in front of
him.
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#8.5: Its so broken up, I immediately was looking
up under a big tree like a big elm. And I
lost #11.
Horn; like the front end of a trumphet. Two
of them. I still feel a circle down there.
+20 #7.5: Okay. I want you to review the images in
your mind and when you have them perfectly
clear, you will remember all of them, then
I want you to sit up and draw those images.
#8.5: Its awfully noisy today, isn't it?
#7.5: This does seem to be a popular place today.
We've got plenty of paper there.
(DRAWING)
#8.5: I don't believe that.
This kept coming back to me but I suspect it
was overlay and I kept trying to throw it out.
Quite vivid.
This circle thing kept changing shapes. It
was close to the ground, I mean it was higher
than the ground.
I thought this was water. But a little later
I felt it was like this and maybe a . maybe
#11 was here.
PAUSE
(Not audible) trees right there.
PAUSE
Off was where I saw a circular gazebo thing
and I threw it out because we visited a
gazebo the other day and. . but this one was,
instead of being. . having facets to it towards
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Gosh, didn't I get more than this?
#7.5: Near the end you said you saw him standing,
railing or (not audible).
#7.5: Could be the same thing you drew in Number 3
there?
I thought there were people over there.
There's a window over there with a woman
behind it and she had her hands on the glass.
#7.5: Okay. Why don't you sketch that out.
#8.5: Way, way over here.
PAUSE
Ha ha. That's a dude of a woman, isn't it?
PAUSE
#7.5: What. . What about this emotional feeling
you had?
#8.5: Pulse quickened and I felt.
#7.5: Put a Number 5 on the drawing of the woman
with her palms.
#8.5: My pulse quickened. I was very nervous all
of a sudden. Almost feel like I've been
caught with my hand in the cookie jar.
#7.5: Was there any imagery with that?
#8.5: No. I just didn't feel good. That was the
thing I was muddled and blank. Clouds swirling.
Something swirling. And its weird. I got this
gnawing sensation in my stomach. Its gone now!
And my pulse definitely quickened. Like adrenalin.
A feeling of anxiety. I tired to figure out
why. But the feeling was definitely that I was
not where I . . I didn't feel comfortable . . .
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#7.5: You said. . .
#8.5: Someone seeing me where I was.
#7.5: Okay, someone seeing you where you were.
Now, I want to ask you a very important
question.
#8.5: Like someone, like my wife would see me, very
innocently, with a woman but under circumstances,
her circumstances, she saw me, she could construe
the wrong thing and I would be defenseless to
explain it.
#7.5: Okay.
#8.5: That kind of feeling.
#7.5: Okay. Now I want to ask a very important
question here. Do you perceive your conscious-
ness as being observed at the target or do you
feel that you are identifying with #11 at this
time?
#8.5: I thought about that too and I really. . . I
was at the target in the air. #11 was on the
ground. I don't know where someone was
looking at #11 or I felt they were looking at
me. The feeling was me. But I can't separate
that from #11.
#7.5: All right. I wanted to make that determination
to make sure we understand.
#8.5: I don't know whether #11 was feeling that and
I was getting that from him or . . Damn! I
guess they can't see me can they?
#7.5: Well, it depends. There have been cases where
sensitives have perceived remote viewing going
on in other locations.
#8.5: I saw a man, late 30's, early 40's. I saw him
from this side. From here up.
#8.5: Probably. Yeah. He was . . . these people over
here. . He was back over in here.
#7.5: He was not with the crowd of people?
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#8.5: No. He kept looking at the . . looking at
the area, the scene. He made me nervous,
I don't know why. Probably military because
I can see that his hair, well at that age he'd
probably have short hair anyway. But it was
short hair.
#7.5: Okay.
#8.5: I don't know. The feeling was weird because
boy, it was strong. It was like all of a
sudden adrenalin hit me and then the anxiety,
the. . .
#8.5: . . adrenalin makes you kind of hyper.
#7.5: Okay. There wasn't anything about the session
or anything I said or anything that you felt
about doing the session that would have caused
that?
#8.5: I have no idea what you said.
#7.5: Okay.
#8.5: But no. The answer's no. No. It came on -
that quick. It startled me and I was wondering
what's happening here. And it was . . uneasy
defenseless feeling. I didn't have a feeling
of doing anything wrong, just that some,
something or someone important which could
impact on me, was miscontruing what was happen-
ing. That sort of (not audible). . .
#7.5: Again, I want to go back. . the "me" you
refer to there, you don't know whether you're
identifying with your consciousness or whether
you're identifying with #11.
#8.5: I have no idea.
#7.5: Okay.
#8.5: But I felt the feeling.
#7.5: Okay.
#8.5: I've no idea whether #11 was feeling it or not.
#7.5: Okay. Fine.
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#8.5: I almost always feel that I am out there
looking. Of course, I very seldom have
feelings about it. Other than intuitive feelings,
but not physical feelings.
#7.5: Okay.
#8.5: I don't know. I couldn't get away from the
circle.
#7.5: Okay. Seems to be something very important.
#8.5: Yeah. But you know, he wouldn't go way over
here again.
And I was having trouble with that. (Pointing
to an area outside the building.)
#7.5: Um hm. You're having trouble with a fountain
that you viewed before in that session before.
#8.5: Well, I wasn't thinking of it as a fountain,
I was thinking of it as trickly, as a circular
body of water. Circular, I thought water.
Blue. I thought it was water.
#7.5: Okay. Did you have trouble fighting out this
imagery of this past viewing session?
#8.5: My past viewing?
#7.5: Yeah.
#8.5: I didn't even think about it until I saw a
. . I started to say pagoda shape.
#7.5: Okay. In the circular pool of water, the
fountain that you viewed once before, was that
what you're having trouble with or . .
#8.5: Yeah. Yeah. I thought, when I saw this
circle I said, Gosh there's nothing around
here except that over there. (Pointing to
an area outside the building where there is
a fountain.)
#7.5: Okay.
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#8.5: And I said, Oh no, no, no, no. And I wanted
to stay away from it. It kept coming back
strong.
#7.5: Okay.
#8.5: But I wasn't thinking of that. I was fighting
to keep that out of my mind.
#7.5: All right. That's what I wanted to identify. .
#8.5: And later I started seeing a scene where
there was some grass around - there's not
grass over there as I remember.
#7.5: No, I think its paved.
#8.5: Yeah. Paved and masonry walls or something.
I saw grass beyond, and a tree line. Rough
and naive. Tree line in here roughly 90
degrees.
#7.5: Okay.
#8.5: Well. . .
#7.5: (Not audible) there's a problem too. . .
#8.5: Well, I finally, I thought pagoda. Oh my
gosh, that. . the way to describe that would
probably be a gazebo and up there is one.
I think that one has probably eight sides or
something I think. This thing seems circular.
Had a thing on top.
#7.5: Okay.
#8.5: I tried to throw that out.
#7.5: Okay.
#8.5: I don't know. I don't know.
#7.5: Okay. Do you want to go look and see what
we've got then?
#8.5: No. I'm afraid to look at this one. Ha ha ha
#7.5: How do you feel about this one? Do you feel
anything special towards this?
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#8.5: Like I'm supposed to have more drawings.
#7.5: Okay.
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TAB A
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F/9 -1 R "F
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6z)
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e, -ji '0 V *.,o. 14
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TAB B
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