REMOTE VIEWING SESSION 858

• Document Type: CREST
• Collection: STARGATE
• Document Number (FOIA) /ESDN (CREST): CIA-RDP96-00788R001400100001-6
• Release Decision: RIFPUB
• Original Classification: S
• Document Page Count: 12
• Document Creation Date: November 4, 2016
• Document Release Date: May 11, 2000
• Sequence Number: 1
• Publication Date: February 9, 1982
• Content Type: REPORT

Approved For Release 2000/08/07 : CIA- 96-00788R001400100001-6
INS COM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:051630ZJUL78
REVIEW ON: _44! /
NOT RE
GN NATIONALS
Approved For Release 2000/08/07 : CIA- 8 R001400100001-6
Approved For Release 2000/08/07 : Cl
SUMMARY
8R001400100001-6
SUMMARY ANALYSIS
REMOTE VIEWING SESSION 858
1. (S/NOFORN) This report documents a remote viewing session
conducted for training purposes only.
2. (S/NOFORN) Post session analysis of the target viewing revealed
little or no correlation. The viewer was disappointed, but
realized what his problems were. The viewer suffered a great deal
of stress during the hours prior to the session. He complained of
a sinus headache during cool-down, during the session and during
the drawing phase. He also appeared to be hyperactive during
the entire period. Training goals (RH TGT descriptors) were
not adequately achieved.
3. (S/NOFORN) The protocol used for this session is detailed
in the document Standard Remote-Viewing Protocol (local target)
by Harold E. Puthoff and Russel Targ, November 1978.
4. (S/NOFORN) Following is a transcript of the viewer's impressions
during the remote viewing session. At tAB A are drawings made by
the remote viewer reference his impressions of the target site.
At TAB B are photographs of the actual target site.
NOT RELEASABLE TO FOREIGN NATIONALS
(7'
Approved For Release 2000/08/07 : CIA-RD 1400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
TRANSCRIPT
REMOTE VIEWING SESSION 858
#66: This will be a remote viewing session for
1430 hours, 9 February 1982.
PAUSE
Focus your attention now, focus your attention
solely and completely on today's target. Picture
in your mind #63's face and #01's face and explore
the target with them as they are doing now.
Concentrate and describe the target to me.
PAUSE
#25: Have a long, thin parking lot. Seems like an
outside toilet and pissed 'cause they're outside,
#66: Don't talk to me. Just describe the target.
#25: Getting an impression of a roof, wood, 2 by 4
construction. Upside.... down on a V shape
...asphalt shingles. Think that's just .a cover
house, not a building. It's like a...just a
roof out there.
#66: Describe your perspective view. Describe where
you are.
#25: Looking ahead, feeling northwest,
#66: Describe #63's location.
#25: He's underneath it. But, underneath it's open
...ceilings just..open beams.
#66: Describe the activity at the target.
#25: I'm not getting much. Thought I sensed a car
going by fast, but I'm not getting any activity
of people. Saw a woman's face, vague, vague.
I can't bring her back...getting glimpses of it.
She's got her hair pulled back tight from her face.
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-R 1400100001-6
#66: Describe #01's activity.
#25: He's just standing around it. It, one of the
supports for the roof...this palm of his hand...
#66: Describe the surface on which #01 is standing.
PAUSE
#25: It's a concrete base....something soft over it.
...softer than concrete, there's a little cushion.
Just saw a straight, white blind. I don't know
what that means.
#66: Describe #63's activity.
#25: Well, I get the impression #63 is leaning on a
post. One of 'em got something to eat, I think.
Eat or drink. It's like a concession stand.
Keep wanting to put him in a ball field. May
be boards half way up this thing. They go
up and down instead of lying horizontal.
#66: They go up and down.
#25: Yeah. I mean they (mumble) one ends on the ground
....one ends up vertical.
#66: That's fine. Don't talk to me and get involved
in that. All you have to do is describe.
Now, #01 has a message for you. Describe the
message to me.
#25: Get me out of here. That's what he's saying.
That's not the message though. I think he's
forgotten the message. All he's concerned with
is leaving there now. It's dumb to be where they
are.
#66: Describe the imagery which leads you to that
statement. Describe.
#25: They're outside in the rain. It's cold. There's
no reason for them to be there. Nobody else is
there See a stop light.
#66: Okay. I have no further questions about the
target.
#25: Let me get that message from #01
Approved For Release 2000/08/07 : CIA-RDP 0788R001400100001-6
Approved For Release 2000/08/07: CIA-RD
1400100001-6
#25: The message doesn't mean anything. I don't
know what the message is, but it has no
relevant don't mean anything to anybody.
..... ..to me anyway .... ...just sort of wishing
me well, or
#66: Remember everything you have perceived in its
complete detail. You may prepare now to draw
your perceptions of the target.
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07: CIA-
001400100001-6
REMOTE VIEWING SESSION 858
(DRAWING NARRATIVE)
#25: Okay. I'll describe drawing 1. Drawing 1 is the
first impression. Inside the curly line is to
sort of depict how much of the image I saw and
how it was just sort of suspended in space. Like
looking through a cloud with a hole in it. I
didn't see anything on the other side of the
on the outside of the squiggly circle or squiggly
square shape, like in the drawing. This V shape
was just this way made out of wood 2 by 4s and I
believe that it was part of a roof, but that came
right away, later. The first impression was of
the, but it was...well, it was almost at the same
time that I felt like it was a roof. So, I've
drawn a line off diagonally here to show that it
was connected to something. I believe it could be
a roof.
Drawing 2 is what that figure became, the 2 by 4s
and the V are shown in drawing 2, labeled 2 by 4.
The ceiling, roof is made of asphalt tiles. Inside
of the ceiling was board with beam construction in
there. I'll draw a little extra lines to make it
look like beams. They were sitting on some sort
of support, I believe it was wood, 4 by 4 size
roughly. You got through there, you got something
to eat there, I think. The sides that I've drawn
and I see that my drawing is not in perspective at
all, that it's been screwed up in proportion. The
back looks wider than the front in the drawing. I
don't know why. I think that's just my lousy drawing.
The wood sides went up vertically instead of
horizontally like you would normally see wood,
buildings laid. The floor was concrete. I believe
with a soft cover I've written down here. And, I
have had to fight off the temptation to say that
it was soft concrete. I drew in these steps, but
I don't recall seeing those steps in the session.
But, for some reason they were necessary in the
drawing part. This may be connected to something
over in the direction of a hill here. Connected
to something.
#66: Okay. This little drawing that you've made of
something here on 2 you feel is connected to
something else?
SECRET
Approved For Release 2000/08/07: CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07: ClA-RQP967s 1400100001-6
#25: Yeah. Because you just wouldn't buy food in
space there. That's the only reason I think
it's connected to something. That may be
analysis in overlay. Anything else on this
drawing?
#66: No. I'd like to know.. .....
#25: I'd like to put my direction down here.
Okay. The direction from here, I believe the
target was southwest. I have no idea on distance.
#66: Now, you said before the session that you had a
headache that was bothering you. Did that continue
through the session?
#25: Parts that came and went during the session, but
it didn't seem to be a major point. All I had to
do was say I didn't want it, and it went away.
#66: And, from the standpoint of confidence, how do
you feel about your performance in this session?
#25: Well, I don't know. I think that I might be right
on the thing with food. That somehow this target
is connected with food somehow. But, that may be
it. I don't know.
#66: I want to identify with your emotionality about
this food thing. What is it that tells you that
you think that it does have something to do with
food?
#25: It seemed to me, when you asked me about what
#63 was doing or something like that, I got the
impression that he or #01 was considering food.
It seemed like a hot dog, but I don't know why
in the world they would eat a hot dog right after
lunch. Both of them just had lunch.
#66: Okay. Anything else you would like to add then?
#25: Nope.
SLRET
Approved For Release 2000/08/07: CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
ApproVEIrrur Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
4.6-
Approved For Release 2000/08/07 : CIA-RDP96-00788R001400100001-6
Ilmemmotmo0
Approved For Relegue.2000/08/07 : CIA-RDP96-00788R001400100001-6